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更新时间：2024-04-12 10:56
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十二年前，一位美若惊鸿的唱诗班少女乔安娜·华莱士（奥黛丽·赫本 Audrey Hepburn饰），一个努力上进的建筑师马克·华莱士（阿尔伯特·芬尼 Albert Finney饰），以及一段浪漫的完美邂逅。十二年后，他们却不得不开始面对两人间存在的严重婚姻危机。从一见钟情到热恋结婚，从当年的信誓旦旦到如今的同床异梦，十二年来的婚姻生活恍如隔世。为了挽救他们之间濒临破裂的夫妻关系以及名存实亡的爱情，乔安娜与马克开始了环游法国的寻爱之旅。 由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名。
长篇影评
1 ) 一代佳人
先看了电影，再一看时间。
1967年拍出这么前卫的片子，真是不简单。
相比之下，国内电影，好像这几年才突飞猛进。
在当时的情况下，三个时间段的相互交替，意识流的拍法，真是超前。
这个片子当中，赫本明显老了。
眼神都不再有年轻时的风采了。
一代佳人，一个时代总结的美丽符号都停留在她的身上。
在爱情面前，好似人人都要惧怕时间带走激情。
但另一面，时间也在增进着亲情和习惯。
我想，生活中，唯有珍惜，才能减少遗憾。
走的太快了，不妨停下脚步，回头看看。
1967年拍出这么前卫的片子，真是不简单。
相比之下，国内电影，好像这几年才突飞猛进。
在当时的情况下，三个时间段的相互交替，意识流的拍法，真是超前。
这个片子当中，赫本明显老了。
眼神都不再有年轻时的风采了。
一代佳人，一个时代总结的美丽符号都停留在她的身上。
在爱情面前，好似人人都要惧怕时间带走激情。
但另一面，时间也在增进着亲情和习惯。
我想，生活中，唯有珍惜，才能减少遗憾。
走的太快了，不妨停下脚步，回头看看。
2 ) 赫本的另一面
有一阵子把赫本的每部电影一一看过去。多数时候只看她、她的服装以及妆容 O(∩_∩)O~
但是这部《丽人行》，竟然剧情也看进去了。
电影通过迂回展现男女主角共同的几段旅行经历，来记录两个人从相爱、婚姻——婚外情——争吵——冷漠——最后和好的感情历程。
赫本的演技在这里面有很好的体现。她的表演不同于其他几部风格时尚、剧情平庸的电影，通过《丽人行》可以看到她的另一面吧。
女主角在年轻时对爱情的执着，可以盖过生活的艰辛；中年时对爱的倦怠、怀疑，婚姻的七年之痒。什么都敌不过时间，有什么可以永远呢？
电影告诉我的是：因为曾经爱过、拥有过快乐，所以可以原谅、包容，继续共同生活。
但是这部《丽人行》，竟然剧情也看进去了。
电影通过迂回展现男女主角共同的几段旅行经历，来记录两个人从相爱、婚姻——婚外情——争吵——冷漠——最后和好的感情历程。
赫本的演技在这里面有很好的体现。她的表演不同于其他几部风格时尚、剧情平庸的电影，通过《丽人行》可以看到她的另一面吧。
女主角在年轻时对爱情的执着，可以盖过生活的艰辛；中年时对爱的倦怠、怀疑，婚姻的七年之痒。什么都敌不过时间，有什么可以永远呢？
电影告诉我的是：因为曾经爱过、拥有过快乐，所以可以原谅、包容，继续共同生活。
3 ) 婚姻之路
《丽人行》或许是最好的婚姻题材的影片，不论在内容还是形式上。
电影将数次旅行场景剪辑在一起，从相识、热恋到结婚，细致地展现了不同时期主角们对爱情和婚姻的追求和思索。不同于一般电影，这种形式上的创新能够使观众充分地思考爱情和婚姻的本质。普通婚姻题材的影片往往流于表面，只会展示结婚、争吵和分手的场面，观众在日常生活中对这些事情司空见惯，电影重新照搬只会让他们感到乏味厌倦，又怎能使他们反思生活？
4 ) 丽人行幕后的一二小事
影片由斯坦利·多南导演，弗雷德里克·拉菲尔编剧，两人虽然都是是美国人却长期旅居欧洲，50年代初期欧洲电影中表现出的颠覆传统的拍摄手法（镜头的快速变焦移动，外景拍摄等）引起了他们极大的兴趣和关注。因此该片在创作上也结合了欧洲电影的拍摄手法，故事的发生并没有按照正常的线性时间顺序，而是采用大量的倒叙镜头作为意识流形成时空交错的感觉。电影多少带点实验性质，活泼中又不失严肃，呈现出一种既不是标准的好莱坞电影也不是标准的欧洲电影的气质。
导演斯坦利结合自己每年夏天和老婆一起骑摩托车环游法国的经验，在电影探讨了爱情、婚姻每个阶段的状态和问题。他说影片之所以使用一种隐晦的叙述结构，其意在表现马克和乔安娜一直沉浸在回忆当中；叙述时间不稳定就如同这对夫妻情绪的波动一样，其实故事不同的时间段从演员的服装、发型、旅行的车子等细节就能够正确判断出来。在1960年代中期的好莱坞，当各大电影工作室都热衷于和谐家庭类的音乐剧如《音乐之声》等电影之时，导演此举不得不说是一次大胆的尝试，然而尽管迥异于其他采用常规叙述手法的电影，该片当时的票房成绩平平，可能在美国人眼里，这部探讨爱情和婚姻的片子多少还是有点怪异吧。除了赫本的清新演出，该片中另值一提的是亨利·马奇尼的配乐为影片增色许多。马奇尼为多部著名电影写过主题曲，其中有电影《蒂凡尼的早餐》的主题曲《月亮河》。该片的同名主题曲《丽人行》由他谱曲完成，同时他本人也认为《丽人行》是他的最爱。
赫本演艺生涯的最高峰：虽然导演斯坦利与赫本在《甜姐儿》与《谜中谜》两部电影中相处融洽，但是该片的合作堪称最佳。导演对赫本自身的优势、受观众喜爱的方面了如指掌，他将这些都淋漓尽致地表现出来；而刚刚经历过婚姻危机的赫本对婚姻的看法也比较符合电影中的人物心态，由此她的表现也就更加真实自然，不做作，赫本的演艺生涯也在此时到达顶峰。在此之后，赫本接拍了一部影片就逐渐远离镁光灯，淡出了公众的视线，全心投入到家庭与慈善事业中。整部电影就是赫本的夏季服装秀，从条纹喇叭裤、嘻哈太阳镜到华丽时尚的帽子，众多60年代后期的时尚行头，就算是时尚达人也要为之咋舌。
1.编剧弗雷德里克·拉菲尔因该片获得奥斯卡最佳剧本提名。
2.当年的奥斯卡奖影后提名在均由奥黛丽·赫本主演的《丽人行》与《盲女惊魂记》中进行选择，最终她出演的《丽人行》与奥斯卡影后提名失之交臂。
3.导演斯坦利认为奥黛丽·赫本是乔安娜的首选也是唯一人选。最初导演给她发了邀请被她婉拒，因为此前她已经拍过一次类似的但并不成功的电影，所以电影的前卫拍摄手法并不足以吸引到她。但在看完整个剧本后，她表示非常喜欢，欣然答应接拍这个角色。
4.赫本在传记中透露她在该片中拍摄首次裸露镜头时非常紧张，尤其是裸泳的镜头。
5.奥黛丽·赫本很怕水，所以拍摄马克丢乔安娜到水中的镜头时，一些潜水员在镜头范围之外待命。期间由于潜水员跳水救奥黛丽的速度过快，导致有个镜头也搞砸了。
6.保罗·纽曼与迈克·凯恩是马克·沃伦斯的首选，然而保罗·纽曼拒绝了导演的邀请。
7.影片中那部名为“当下之日”的奔驰230是导演斯坦利的私人驾乘。其他的车型有“MG－TD”老爷车、凯旋先驱者、大众小面包、福特城市旅行车等。
8.导演斯坦利要求奥黛丽·赫本与阿尔伯特·芬尼在开车的场景中“自拍”。导演在旁边的另一辆车里，而他们自己要按下摄像机的开关。
9.电影拍摄结束后，杰奎琳·比塞特接到好莱坞的一个大制作电影的角色。她随即离开了英国去了美国，于是在后期部分台词重新配音时，她的配音则由其他演员代替。
10.电影大部分在法国取景拍摄。
导演斯坦利结合自己每年夏天和老婆一起骑摩托车环游法国的经验，在电影探讨了爱情、婚姻每个阶段的状态和问题。他说影片之所以使用一种隐晦的叙述结构，其意在表现马克和乔安娜一直沉浸在回忆当中；叙述时间不稳定就如同这对夫妻情绪的波动一样，其实故事不同的时间段从演员的服装、发型、旅行的车子等细节就能够正确判断出来。在1960年代中期的好莱坞，当各大电影工作室都热衷于和谐家庭类的音乐剧如《音乐之声》等电影之时，导演此举不得不说是一次大胆的尝试，然而尽管迥异于其他采用常规叙述手法的电影，该片当时的票房成绩平平，可能在美国人眼里，这部探讨爱情和婚姻的片子多少还是有点怪异吧。除了赫本的清新演出，该片中另值一提的是亨利·马奇尼的配乐为影片增色许多。马奇尼为多部著名电影写过主题曲，其中有电影《蒂凡尼的早餐》的主题曲《月亮河》。该片的同名主题曲《丽人行》由他谱曲完成，同时他本人也认为《丽人行》是他的最爱。
赫本演艺生涯的最高峰：虽然导演斯坦利与赫本在《甜姐儿》与《谜中谜》两部电影中相处融洽，但是该片的合作堪称最佳。导演对赫本自身的优势、受观众喜爱的方面了如指掌，他将这些都淋漓尽致地表现出来；而刚刚经历过婚姻危机的赫本对婚姻的看法也比较符合电影中的人物心态，由此她的表现也就更加真实自然，不做作，赫本的演艺生涯也在此时到达顶峰。在此之后，赫本接拍了一部影片就逐渐远离镁光灯，淡出了公众的视线，全心投入到家庭与慈善事业中。整部电影就是赫本的夏季服装秀，从条纹喇叭裤、嘻哈太阳镜到华丽时尚的帽子，众多60年代后期的时尚行头，就算是时尚达人也要为之咋舌。
1.编剧弗雷德里克·拉菲尔因该片获得奥斯卡最佳剧本提名。
2.当年的奥斯卡奖影后提名在均由奥黛丽·赫本主演的《丽人行》与《盲女惊魂记》中进行选择，最终她出演的《丽人行》与奥斯卡影后提名失之交臂。
3.导演斯坦利认为奥黛丽·赫本是乔安娜的首选也是唯一人选。最初导演给她发了邀请被她婉拒，因为此前她已经拍过一次类似的但并不成功的电影，所以电影的前卫拍摄手法并不足以吸引到她。但在看完整个剧本后，她表示非常喜欢，欣然答应接拍这个角色。
4.赫本在传记中透露她在该片中拍摄首次裸露镜头时非常紧张，尤其是裸泳的镜头。
5.奥黛丽·赫本很怕水，所以拍摄马克丢乔安娜到水中的镜头时，一些潜水员在镜头范围之外待命。期间由于潜水员跳水救奥黛丽的速度过快，导致有个镜头也搞砸了。
6.保罗·纽曼与迈克·凯恩是马克·沃伦斯的首选，然而保罗·纽曼拒绝了导演的邀请。
7.影片中那部名为“当下之日”的奔驰230是导演斯坦利的私人驾乘。其他的车型有“MG－TD”老爷车、凯旋先驱者、大众小面包、福特城市旅行车等。
8.导演斯坦利要求奥黛丽·赫本与阿尔伯特·芬尼在开车的场景中“自拍”。导演在旁边的另一辆车里，而他们自己要按下摄像机的开关。
9.电影拍摄结束后，杰奎琳·比塞特接到好莱坞的一个大制作电影的角色。她随即离开了英国去了美国，于是在后期部分台词重新配音时，她的配音则由其他演员代替。
10.电影大部分在法国取景拍摄。
5 ) 丽人行
十二年前，一位美若惊鸿的唱诗班少女乔安娜·华莱士（奥黛丽·赫本 Audrey Hepburn饰），一个努力上进的建筑师马克·华莱士（阿尔伯特·芬尼 Albert Finney饰），以及一段浪漫的完美邂逅。十二年后，他们却不得不开始面对两人间存在的严重婚姻危机。从一见钟情到热恋结婚，从当年的信誓旦旦到如今的同床异梦，十二年来的婚姻生活恍如隔世。为了挽救他们之间濒临破裂的夫妻关系以及名存实亡的爱情，乔安娜与马克开始了环游法国的寻爱之旅。
由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名。
由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名。
6 ) 台词摘录
213
00:20:40,239 --> 00:20:43,208
We won't have to waste a minute
stopping for lunch.
214
00:20:43,542 --> 00:20:46,340
The trouble with women is
they try to label you...
215
00:20:46,411 --> 00:20:48,106
put you in a pigeonhole.
216
00:20:49,414 --> 00:20:51,382
What they don't realize is...
217
00:20:52,851 --> 00:20:56,014
the only thing that fits in a pigeonhole
is a pigeon.
218
00:20:57,055 --> 00:20:59,080
Marriage is all they ever think about.
219
00:20:59,191 --> 00:21:01,989
l don't intend to get married
for at least 40 years.
220
00:21:08,233 --> 00:21:12,067
lt's not that l have anything against sex.
lt's contracts l don't go for.
221
00:21:12,204 --> 00:21:15,173
Promise of long service and good conduct.
Are you a virgin?
222
00:21:15,540 --> 00:21:17,770
Thought you were. Could always tell.
223
00:21:18,043 --> 00:21:19,340
Congratulations.
224
00:21:19,411 --> 00:21:22,278
l was two years
at the University of Chicago.
225
00:21:22,381 --> 00:21:24,372
Studying virgin detection?
226
00:21:25,517 --> 00:21:28,418
Only at night school.
Architecture during the day.
227
00:21:28,754 --> 00:21:31,279
l always thought American women
would be different.
228
00:21:31,390 --> 00:21:33,881
l thought they'd broken
the inhibitions barrier...
229
00:21:33,959 --> 00:21:35,790
and it was all one long sex feast.
230
00:21:35,894 --> 00:21:38,089
-No?
-But no.
231
00:21:38,263 --> 00:21:40,959
The nicely brought-up American girl
plays cool and modern...
232
00:21:41,066 --> 00:21:44,035
but what she wants
is what her grandmother wanted:
233
00:21:45,337 --> 00:21:48,431
your head stuffed and mounted
on the living room wall.
234
00:21:50,742 --> 00:21:54,906
And if you don't want it that way,
you can take your loving self elsewhere...
235
00:21:55,080 --> 00:21:57,014
speaking quite generally, of course.
236
00:21:57,115 --> 00:21:59,583
Of course. Who was she?
237
00:22:01,853 --> 00:22:03,252
What do you mean?
238
00:22:04,389 --> 00:22:07,222
Her name was Cathy Seligman,
if you must know.
239
00:22:07,559 --> 00:22:10,858
She was selfish, grasping, philistine...
240
00:22:11,096 --> 00:22:15,089
materialistic, stubborn, opinionated.
l was crazy about her.
241
00:22:15,467 --> 00:22:17,458
Lucky for you, you'll never meet her.
242
00:22:17,569 --> 00:22:20,629
She's now
Mrs. Howard Maxwell Manchester.
243
00:22:22,240 --> 00:22:24,572
l always knew you two had to meet.
244
00:22:24,776 --> 00:22:28,644
''There's only one drawback,'' Howard said.
''We'll have to go to Greece.''
===================
327
00:27:38,723 --> 00:27:43,422
lt's very reassuring at times
to retain a certain flexibility of attitude.
328
00:27:44,729 --> 00:27:48,756
Howard has a tremendously mature
quality. That's what l love about him.
329
00:27:49,034 --> 00:27:51,025
He has quiet assurance.
330
00:27:52,837 --> 00:27:56,773
-Don't you think he has quiet assurance?
-Very quiet assurance.
331
00:27:56,908 --> 00:27:58,808
He's the husband type.
332
00:27:59,411 --> 00:28:02,278
You were always the lover type.
l guess you still are.
333
00:28:02,380 --> 00:28:05,213
l've been married to Joanna
for nearly two years.
334
00:28:05,283 --> 00:28:09,083
But your relationship is basically volatile.
Anyone can see that.
==========
想Jules et Jim ，筋疲力尽~~~ 又是臆想的 分手，一人在车上，一人下车，
============
347
00:29:05,009 --> 00:29:07,944
Very funny, isn't it?
But l happen to have a schedule.
348
00:29:08,012 --> 00:29:12,005
The trouble is, there's two of us.
That's the basis of the whole trouble.
349
00:29:12,917 --> 00:29:17,786
lf l ever have a car, l swear l'll never pass
a single hitchhiker as long as l live.
350
00:29:27,031 --> 00:29:29,090
Must we dice with death?
351
00:29:33,838 --> 00:29:37,638
Since when has this car
got only two speeds, 1 10 and stop?
352
00:29:37,709 --> 00:29:41,338
-l'll tell you what, you drive.
-l'll tell you what, l'll walk.
353
00:29:41,412 --> 00:29:42,879
Okay, walk!
354
00:29:44,149 --> 00:29:46,379
Come on, Jo, don't be silly.
355
00:29:49,020 --> 00:29:52,217
You'd be far better off on your own,
wouldn't you?
356
00:29:52,323 --> 00:29:54,188
Oh, not again, Joanna!
357
00:29:54,259 --> 00:29:57,251
You want to get on, l know.
Maurice is waiting.
358
00:29:57,362 --> 00:29:58,659
Let him wait.
359
00:29:58,730 --> 00:30:01,597
He's got you on a line.
All he has to do is reel you in.
360
00:30:01,699 --> 00:30:05,100
Shut up about Maurice. lf it weren't
for him, you know what we'd be?
361
00:30:05,236 --> 00:30:06,328
-Happy!
-Broke.
362
00:30:06,437 --> 00:30:07,529
Broke and happy.
363
00:30:07,639 --> 00:30:10,107
You wanna go back to living in a cellar?
You hated it.
364
00:30:10,208 --> 00:30:12,267
-l loved it.
-You hated it.
365
00:30:13,077 --> 00:30:14,476
l hated it.
366
00:30:15,046 --> 00:30:17,606
l hate being at other people's
beck and call.
367
00:30:17,715 --> 00:30:21,048
As soon as someone becks or calls,
l resent it, that's all.
368
00:30:21,119 --> 00:30:23,314
Okay, you run the show. You handle it.
369
00:30:23,421 --> 00:30:26,982
You worry about the house, the flat,
Nanny, and Mrs. Rathbone.
370
00:30:27,091 --> 00:30:29,116
l don't want any of them.
371
00:30:29,227 --> 00:30:32,822
Do l? Am l the one that wants
enamel sports watches?
372
00:30:34,299 --> 00:30:37,097
Take your watch. l don't want it.
l don't want anything.
373
00:30:37,168 --> 00:30:41,002
Why is it, when you give a woman what
she wants, she gets so bloody minded?
374
00:30:41,139 --> 00:30:44,802
You don't give me what l want.
You give me what you want to give me.
375
00:30:46,010 --> 00:30:47,807
Joanna, your watch.
376
00:30:49,180 --> 00:30:50,977
Joanna, l love you.
377
00:31:08,199 --> 00:31:10,531
Come on, Maurice is waiting.
378
00:31:11,469 --> 00:31:12,663
Bitch.
379
00:31:14,239 --> 00:31:17,675
Listen, sweetheart.
We're not going to make it together. See?
380
00:31:17,809 --> 00:31:20,573
We don't get the breaks.
So this is the kiss off.
381
00:31:20,678 --> 00:31:23,146
You take the high road,
l'll take the low road.
382
00:31:23,214 --> 00:31:26,012
We'll see who gets in where
before who. Okay?
383
00:31:26,751 --> 00:31:30,710
lf we meet again, great.
lf not, happy holidays.
384
00:31:31,222 --> 00:31:33,315
No hard feelings, but....
385
00:31:33,391 --> 00:31:35,416
-You have a schedule.
-Right.
386
00:32:28,246 --> 00:32:31,238
What happened to your slick friend
in the Alfa Romeo?
387
00:32:31,316 --> 00:32:34,444
l told him l was in love with you,
so he put me down.
388
00:32:45,663 --> 00:32:48,564
-l warn you....
-Don't.
==========
389
00:33:07,452 --> 00:33:09,818
What would you say to a cup of coffee?
两人对着桌子 托着下巴 对看着对方
390
00:34:00,038 --> 00:34:03,804
What kind of people would sit like that
without a word to say to each other?
391
00:34:03,875 --> 00:34:05,433
Married people?
392
00:34:18,856 --> 00:34:21,484
This is definitely against my principles.
393
00:34:22,660 --> 00:34:26,152
Good. l wouldn't like to think
it happened all the time.
394
00:34:26,531 --> 00:34:30,831
l had absolutely no intention
of sleeping in hotels.
395
00:34:34,105 --> 00:34:35,538
You didn't?
396
00:34:36,407 --> 00:34:39,740
Hell, no. What do you think l brought
a sleeping sack for?
397
00:34:40,778 --> 00:34:43,110
l hadn't seriously thought about it.
398
00:34:53,024 --> 00:34:55,720
-Who are you?
-Some girl.
======Some girl.========hotel伏在男人身上的Some girl.
399
00:35:08,406 --> 00:35:09,839
Sleep well?
400
00:35:10,007 --> 00:35:13,170
l think that room was
over the plate-smashing annex.
401
00:35:13,744 --> 00:35:16,212
My days for roughing it are over.
402
00:35:16,414 --> 00:35:20,282
Next time, get Maurice to reserve us
a room if you can't remember yourself...
403
00:35:20,384 --> 00:35:24,878
preferably with a carpet, and
something else in the hot tap besides....
1
00:32:34,600 --> 00:32:38,366
什么样的人会那样对坐着
却一语不发？
2
00:32:38,437 --> 00:32:39,995
已婚的人？
1
00:32:52,418 --> 00:32:55,046
这有悖于我的原则。
2
00:32:56,222 --> 00:32:59,714
很好。我不会想让它随时都会发生在你身上。
3
00:33:00,093 --> 00:33:04,393
我一点都没想过会在
旅馆里和你睡在一起。
4
00:33:07,667 --> 00:33:09,100
你没想过？
5
00:33:09,969 --> 00:33:13,302
当然不。否则你以为我买了睡袋是用来干吗的？
6
00:33:14,340 --> 00:33:16,672
我并没有认真地去想过。
1
00:33:25,586 --> 00:33:28,282
你是谁？
某个女孩。
1
00:33:39,968 --> 00:33:41,401
睡得好吗？
2
00:33:41,569 --> 00:33:44,732
我觉得那个房间是建
在碎盘机上的。
3
00:33:45,306 --> 00:33:47,774
我将就着过日子的时光已经结束了。
4
00:33:47,976 --> 00:33:51,844
下一回，让莫里斯替我们预定
一个房间，如果你自己记不起来的话……
5
00:33:51,946 --> 00:33:56,440
最好是有地毯的房间，还有热水龙头里
出来的不会再是……
===========
498
00:44:50,387 --> 00:44:53,879
l don't want to come out after lunch
to a red-hot car again.
499
00:44:55,693 --> 00:44:58,423
What does ''Reserve a la direction'' mean?
500
00:44:58,762 --> 00:45:00,627
Reserved for the management.
501
00:45:00,731 --> 00:45:02,528
Hell, we're the customers.
502
00:45:06,904 --> 00:45:09,372
Why do you think Red China is a bitch?
1
00:43:03,255 --> 00:43:05,985
预先保留位是什么意思？
2
00:43:06,324 --> 00:43:08,189
是为了管理而预留的
3
00:43:08,293 --> 00:43:10,090
哦，我们是顾客。
4
00:43:14,466 --> 00:43:16,934
你为什么觉得红色中国很坏？
5
00:43:19,437 --> 00:43:21,803
我们不可以停在这里，霍尔。
6
00:43:22,173 --> 00:43:25,574
我的意思是红色中国是一个很复杂的问题。
==============
549
00:50:07,537 --> 00:50:11,200
You're the only woman l know who's
prepared to share a bed with a sardine.
550
00:50:11,308 --> 00:50:14,539
l don't care what kind of a sardine you are.
l like you.
551
00:50:16,613 --> 00:50:19,639
-Will you hate me when l'm bowfronted?
-Undoubtedly.
552
00:50:20,550 --> 00:50:22,814
-And will you be unfaithful to me?
-Blatantly.
553
00:50:24,054 --> 00:50:26,579
-You promised l could.
-You promised you wouldn't.
554
00:50:26,656 --> 00:50:28,214
When we got married.
555
00:50:30,627 --> 00:50:32,788
Do you mind undoing what you did?
556
00:50:41,538 --> 00:50:42,562
Thanks.
557
00:50:43,273 --> 00:50:44,501
You're welcome.
558
00:50:45,809 --> 00:50:47,834
Aren't you coming to bed at all?
559
00:50:48,845 --> 00:50:49,834
Tired?
560
00:50:53,683 --> 00:50:54,707
l won't be long.
561
00:50:54,818 --> 00:50:57,844
Shall l call your secretary
and make an appointment?
562
00:50:59,389 --> 00:51:01,914
When did you start being as snide as this?
563
00:51:04,661 --> 00:51:06,993
Right after we got married, didn't l?
564
00:51:07,898 --> 00:51:09,763
-Did we get married?
-Yeah.
565
00:51:11,101 --> 00:51:12,261
Remember?
566
00:51:12,803 --> 00:51:14,828
When sex stopped being fun.
567
00:51:15,505 --> 00:51:18,440
Yeah. lt started being official.
568
00:51:20,710 --> 00:51:22,041
l remember.
569
00:51:35,692 --> 00:51:39,128
l think that lovely little lake
breeds lovely little mosquitoes.
570
00:51:39,196 --> 00:51:42,063
-l'll close the window.
-We'll suffocate.
1
00:48:02,819 --> 00:48:06,482
你是唯一一个我认识的会和一条沙丁鱼
共享一张床的女人。
2
00:48:06,590 --> 00:48:09,821
我不在意你是哪种沙丁鱼。
我喜欢你。
3
00:48:11,895 --> 00:48:14,921
当我背都驼了的时候你会讨厌我吗？
当然不会。
4
00:48:15,832 --> 00:48:18,096
你会对我不忠吗？
明显的。
1
00:48:18,336 --> 00:48:20,861
你说我允许我的。
你说过你不会的。
2
00:48:20,938 --> 00:48:22,496
在我们刚结婚的时候。
3
00:48:24,909 --> 00:48:27,070
你能放下你在做的事情一会吗？
1
00:48:34,820 --> 00:48:35,844
谢谢。
2
00:48:36,555 --> 00:48:37,783
不用谢。
3
00:48:39,091 --> 00:48:41,116
你不睡了吗？
4
00:48:42,127 --> 00:48:43,116
你很累了？
5
00:48:46,965 --> 00:48:47,989
我一会儿就来。
6
00:48:48,100 --> 00:48:51,126
我能打电话给你的秘书来预约吗？
7
00:48:52,671 --> 00:48:55,196
你什么时候变得如此会讥讽了？
1
00:48:57,400 --> 00:48:59,732
就在我们结婚了以后，不是吗？
2
00:49:00,637 --> 00:49:02,502
我们结婚了吗？
是的。
3
00:49:03,840 --> 00:49:05,000
记得吗？
4
00:49:05,542 --> 00:49:07,567
当性不再变得有趣。
5
00:49:08,244 --> 00:49:11,179
是啊，开始变成例行公事了。
6
00:49:13,449 --> 00:49:14,780
我记得。
1
00:49:27,431 --> 00:49:30,867
我想那美丽的小湖是很多可爱的
小蚊子的家园。
00:20:40,239 --> 00:20:43,208
We won't have to waste a minute
stopping for lunch.
214
00:20:43,542 --> 00:20:46,340
The trouble with women is
they try to label you...
215
00:20:46,411 --> 00:20:48,106
put you in a pigeonhole.
216
00:20:49,414 --> 00:20:51,382
What they don't realize is...
217
00:20:52,851 --> 00:20:56,014
the only thing that fits in a pigeonhole
is a pigeon.
218
00:20:57,055 --> 00:20:59,080
Marriage is all they ever think about.
219
00:20:59,191 --> 00:21:01,989
l don't intend to get married
for at least 40 years.
220
00:21:08,233 --> 00:21:12,067
lt's not that l have anything against sex.
lt's contracts l don't go for.
221
00:21:12,204 --> 00:21:15,173
Promise of long service and good conduct.
Are you a virgin?
222
00:21:15,540 --> 00:21:17,770
Thought you were. Could always tell.
223
00:21:18,043 --> 00:21:19,340
Congratulations.
224
00:21:19,411 --> 00:21:22,278
l was two years
at the University of Chicago.
225
00:21:22,381 --> 00:21:24,372
Studying virgin detection?
226
00:21:25,517 --> 00:21:28,418
Only at night school.
Architecture during the day.
227
00:21:28,754 --> 00:21:31,279
l always thought American women
would be different.
228
00:21:31,390 --> 00:21:33,881
l thought they'd broken
the inhibitions barrier...
229
00:21:33,959 --> 00:21:35,790
and it was all one long sex feast.
230
00:21:35,894 --> 00:21:38,089
-No?
-But no.
231
00:21:38,263 --> 00:21:40,959
The nicely brought-up American girl
plays cool and modern...
232
00:21:41,066 --> 00:21:44,035
but what she wants
is what her grandmother wanted:
233
00:21:45,337 --> 00:21:48,431
your head stuffed and mounted
on the living room wall.
234
00:21:50,742 --> 00:21:54,906
And if you don't want it that way,
you can take your loving self elsewhere...
235
00:21:55,080 --> 00:21:57,014
speaking quite generally, of course.
236
00:21:57,115 --> 00:21:59,583
Of course. Who was she?
237
00:22:01,853 --> 00:22:03,252
What do you mean?
238
00:22:04,389 --> 00:22:07,222
Her name was Cathy Seligman,
if you must know.
239
00:22:07,559 --> 00:22:10,858
She was selfish, grasping, philistine...
240
00:22:11,096 --> 00:22:15,089
materialistic, stubborn, opinionated.
l was crazy about her.
241
00:22:15,467 --> 00:22:17,458
Lucky for you, you'll never meet her.
242
00:22:17,569 --> 00:22:20,629
She's now
Mrs. Howard Maxwell Manchester.
243
00:22:22,240 --> 00:22:24,572
l always knew you two had to meet.
244
00:22:24,776 --> 00:22:28,644
''There's only one drawback,'' Howard said.
''We'll have to go to Greece.''
===================
327
00:27:38,723 --> 00:27:43,422
lt's very reassuring at times
to retain a certain flexibility of attitude.
328
00:27:44,729 --> 00:27:48,756
Howard has a tremendously mature
quality. That's what l love about him.
329
00:27:49,034 --> 00:27:51,025
He has quiet assurance.
330
00:27:52,837 --> 00:27:56,773
-Don't you think he has quiet assurance?
-Very quiet assurance.
331
00:27:56,908 --> 00:27:58,808
He's the husband type.
332
00:27:59,411 --> 00:28:02,278
You were always the lover type.
l guess you still are.
333
00:28:02,380 --> 00:28:05,213
l've been married to Joanna
for nearly two years.
334
00:28:05,283 --> 00:28:09,083
But your relationship is basically volatile.
Anyone can see that.
==========
想Jules et Jim ，筋疲力尽~~~ 又是臆想的 分手，一人在车上，一人下车，
============
347
00:29:05,009 --> 00:29:07,944
Very funny, isn't it?
But l happen to have a schedule.
348
00:29:08,012 --> 00:29:12,005
The trouble is, there's two of us.
That's the basis of the whole trouble.
349
00:29:12,917 --> 00:29:17,786
lf l ever have a car, l swear l'll never pass
a single hitchhiker as long as l live.
350
00:29:27,031 --> 00:29:29,090
Must we dice with death?
351
00:29:33,838 --> 00:29:37,638
Since when has this car
got only two speeds, 1 10 and stop?
352
00:29:37,709 --> 00:29:41,338
-l'll tell you what, you drive.
-l'll tell you what, l'll walk.
353
00:29:41,412 --> 00:29:42,879
Okay, walk!
354
00:29:44,149 --> 00:29:46,379
Come on, Jo, don't be silly.
355
00:29:49,020 --> 00:29:52,217
You'd be far better off on your own,
wouldn't you?
356
00:29:52,323 --> 00:29:54,188
Oh, not again, Joanna!
357
00:29:54,259 --> 00:29:57,251
You want to get on, l know.
Maurice is waiting.
358
00:29:57,362 --> 00:29:58,659
Let him wait.
359
00:29:58,730 --> 00:30:01,597
He's got you on a line.
All he has to do is reel you in.
360
00:30:01,699 --> 00:30:05,100
Shut up about Maurice. lf it weren't
for him, you know what we'd be?
361
00:30:05,236 --> 00:30:06,328
-Happy!
-Broke.
362
00:30:06,437 --> 00:30:07,529
Broke and happy.
363
00:30:07,639 --> 00:30:10,107
You wanna go back to living in a cellar?
You hated it.
364
00:30:10,208 --> 00:30:12,267
-l loved it.
-You hated it.
365
00:30:13,077 --> 00:30:14,476
l hated it.
366
00:30:15,046 --> 00:30:17,606
l hate being at other people's
beck and call.
367
00:30:17,715 --> 00:30:21,048
As soon as someone becks or calls,
l resent it, that's all.
368
00:30:21,119 --> 00:30:23,314
Okay, you run the show. You handle it.
369
00:30:23,421 --> 00:30:26,982
You worry about the house, the flat,
Nanny, and Mrs. Rathbone.
370
00:30:27,091 --> 00:30:29,116
l don't want any of them.
371
00:30:29,227 --> 00:30:32,822
Do l? Am l the one that wants
enamel sports watches?
372
00:30:34,299 --> 00:30:37,097
Take your watch. l don't want it.
l don't want anything.
373
00:30:37,168 --> 00:30:41,002
Why is it, when you give a woman what
she wants, she gets so bloody minded?
374
00:30:41,139 --> 00:30:44,802
You don't give me what l want.
You give me what you want to give me.
375
00:30:46,010 --> 00:30:47,807
Joanna, your watch.
376
00:30:49,180 --> 00:30:50,977
Joanna, l love you.
377
00:31:08,199 --> 00:31:10,531
Come on, Maurice is waiting.
378
00:31:11,469 --> 00:31:12,663
Bitch.
379
00:31:14,239 --> 00:31:17,675
Listen, sweetheart.
We're not going to make it together. See?
380
00:31:17,809 --> 00:31:20,573
We don't get the breaks.
So this is the kiss off.
381
00:31:20,678 --> 00:31:23,146
You take the high road,
l'll take the low road.
382
00:31:23,214 --> 00:31:26,012
We'll see who gets in where
before who. Okay?
383
00:31:26,751 --> 00:31:30,710
lf we meet again, great.
lf not, happy holidays.
384
00:31:31,222 --> 00:31:33,315
No hard feelings, but....
385
00:31:33,391 --> 00:31:35,416
-You have a schedule.
-Right.
386
00:32:28,246 --> 00:32:31,238
What happened to your slick friend
in the Alfa Romeo?
387
00:32:31,316 --> 00:32:34,444
l told him l was in love with you,
so he put me down.
388
00:32:45,663 --> 00:32:48,564
-l warn you....
-Don't.
==========
389
00:33:07,452 --> 00:33:09,818
What would you say to a cup of coffee?
两人对着桌子 托着下巴 对看着对方
390
00:34:00,038 --> 00:34:03,804
What kind of people would sit like that
without a word to say to each other?
391
00:34:03,875 --> 00:34:05,433
Married people?
392
00:34:18,856 --> 00:34:21,484
This is definitely against my principles.
393
00:34:22,660 --> 00:34:26,152
Good. l wouldn't like to think
it happened all the time.
394
00:34:26,531 --> 00:34:30,831
l had absolutely no intention
of sleeping in hotels.
395
00:34:34,105 --> 00:34:35,538
You didn't?
396
00:34:36,407 --> 00:34:39,740
Hell, no. What do you think l brought
a sleeping sack for?
397
00:34:40,778 --> 00:34:43,110
l hadn't seriously thought about it.
398
00:34:53,024 --> 00:34:55,720
-Who are you?
-Some girl.
======Some girl.========hotel伏在男人身上的Some girl.
399
00:35:08,406 --> 00:35:09,839
Sleep well?
400
00:35:10,007 --> 00:35:13,170
l think that room was
over the plate-smashing annex.
401
00:35:13,744 --> 00:35:16,212
My days for roughing it are over.
402
00:35:16,414 --> 00:35:20,282
Next time, get Maurice to reserve us
a room if you can't remember yourself...
403
00:35:20,384 --> 00:35:24,878
preferably with a carpet, and
something else in the hot tap besides....
1
00:32:34,600 --> 00:32:38,366
什么样的人会那样对坐着
却一语不发？
2
00:32:38,437 --> 00:32:39,995
已婚的人？
1
00:32:52,418 --> 00:32:55,046
这有悖于我的原则。
2
00:32:56,222 --> 00:32:59,714
很好。我不会想让它随时都会发生在你身上。
3
00:33:00,093 --> 00:33:04,393
我一点都没想过会在
旅馆里和你睡在一起。
4
00:33:07,667 --> 00:33:09,100
你没想过？
5
00:33:09,969 --> 00:33:13,302
当然不。否则你以为我买了睡袋是用来干吗的？
6
00:33:14,340 --> 00:33:16,672
我并没有认真地去想过。
1
00:33:25,586 --> 00:33:28,282
你是谁？
某个女孩。
1
00:33:39,968 --> 00:33:41,401
睡得好吗？
2
00:33:41,569 --> 00:33:44,732
我觉得那个房间是建
在碎盘机上的。
3
00:33:45,306 --> 00:33:47,774
我将就着过日子的时光已经结束了。
4
00:33:47,976 --> 00:33:51,844
下一回，让莫里斯替我们预定
一个房间，如果你自己记不起来的话……
5
00:33:51,946 --> 00:33:56,440
最好是有地毯的房间，还有热水龙头里
出来的不会再是……
===========
498
00:44:50,387 --> 00:44:53,879
l don't want to come out after lunch
to a red-hot car again.
499
00:44:55,693 --> 00:44:58,423
What does ''Reserve a la direction'' mean?
500
00:44:58,762 --> 00:45:00,627
Reserved for the management.
501
00:45:00,731 --> 00:45:02,528
Hell, we're the customers.
502
00:45:06,904 --> 00:45:09,372
Why do you think Red China is a bitch?
1
00:43:03,255 --> 00:43:05,985
预先保留位是什么意思？
2
00:43:06,324 --> 00:43:08,189
是为了管理而预留的
3
00:43:08,293 --> 00:43:10,090
哦，我们是顾客。
4
00:43:14,466 --> 00:43:16,934
你为什么觉得红色中国很坏？
5
00:43:19,437 --> 00:43:21,803
我们不可以停在这里，霍尔。
6
00:43:22,173 --> 00:43:25,574
我的意思是红色中国是一个很复杂的问题。
==============
549
00:50:07,537 --> 00:50:11,200
You're the only woman l know who's
prepared to share a bed with a sardine.
550
00:50:11,308 --> 00:50:14,539
l don't care what kind of a sardine you are.
l like you.
551
00:50:16,613 --> 00:50:19,639
-Will you hate me when l'm bowfronted?
-Undoubtedly.
552
00:50:20,550 --> 00:50:22,814
-And will you be unfaithful to me?
-Blatantly.
553
00:50:24,054 --> 00:50:26,579
-You promised l could.
-You promised you wouldn't.
554
00:50:26,656 --> 00:50:28,214
When we got married.
555
00:50:30,627 --> 00:50:32,788
Do you mind undoing what you did?
556
00:50:41,538 --> 00:50:42,562
Thanks.
557
00:50:43,273 --> 00:50:44,501
You're welcome.
558
00:50:45,809 --> 00:50:47,834
Aren't you coming to bed at all?
559
00:50:48,845 --> 00:50:49,834
Tired?
560
00:50:53,683 --> 00:50:54,707
l won't be long.
561
00:50:54,818 --> 00:50:57,844
Shall l call your secretary
and make an appointment?
562
00:50:59,389 --> 00:51:01,914
When did you start being as snide as this?
563
00:51:04,661 --> 00:51:06,993
Right after we got married, didn't l?
564
00:51:07,898 --> 00:51:09,763
-Did we get married?
-Yeah.
565
00:51:11,101 --> 00:51:12,261
Remember?
566
00:51:12,803 --> 00:51:14,828
When sex stopped being fun.
567
00:51:15,505 --> 00:51:18,440
Yeah. lt started being official.
568
00:51:20,710 --> 00:51:22,041
l remember.
569
00:51:35,692 --> 00:51:39,128
l think that lovely little lake
breeds lovely little mosquitoes.
570
00:51:39,196 --> 00:51:42,063
-l'll close the window.
-We'll suffocate.
1
00:48:02,819 --> 00:48:06,482
你是唯一一个我认识的会和一条沙丁鱼
共享一张床的女人。
2
00:48:06,590 --> 00:48:09,821
我不在意你是哪种沙丁鱼。
我喜欢你。
3
00:48:11,895 --> 00:48:14,921
当我背都驼了的时候你会讨厌我吗？
当然不会。
4
00:48:15,832 --> 00:48:18,096
你会对我不忠吗？
明显的。
1
00:48:18,336 --> 00:48:20,861
你说我允许我的。
你说过你不会的。
2
00:48:20,938 --> 00:48:22,496
在我们刚结婚的时候。
3
00:48:24,909 --> 00:48:27,070
你能放下你在做的事情一会吗？
1
00:48:34,820 --> 00:48:35,844
谢谢。
2
00:48:36,555 --> 00:48:37,783
不用谢。
3
00:48:39,091 --> 00:48:41,116
你不睡了吗？
4
00:48:42,127 --> 00:48:43,116
你很累了？
5
00:48:46,965 --> 00:48:47,989
我一会儿就来。
6
00:48:48,100 --> 00:48:51,126
我能打电话给你的秘书来预约吗？
7
00:48:52,671 --> 00:48:55,196
你什么时候变得如此会讥讽了？
1
00:48:57,400 --> 00:48:59,732
就在我们结婚了以后，不是吗？
2
00:49:00,637 --> 00:49:02,502
我们结婚了吗？
是的。
3
00:49:03,840 --> 00:49:05,000
记得吗？
4
00:49:05,542 --> 00:49:07,567
当性不再变得有趣。
5
00:49:08,244 --> 00:49:11,179
是啊，开始变成例行公事了。
6
00:49:13,449 --> 00:49:14,780
我记得。
1
00:49:27,431 --> 00:49:30,867
我想那美丽的小湖是很多可爱的
小蚊子的家园。
这是我看过的赫本最棒的电影。在爱情里挣扎的两个人的十二年犹如几段旅行，一段张扬快乐、一段诉说悲伤、一段控诉无奈、一段陷入痛苦。车换了一辆又一辆、路过了一站又一站，还是那个人却不一定仍是那份情。最后剩下的是一长段回忆和一汪深情。“我爱你！”“那就好！”其实你在身边就好。
婚姻就是：一个女人让一个男人脱掉他的睡衣。。。因为她要把它送去洗衣房。。。
为了几段回忆揉在一起的形式，为了赫本的好看，给三星吧。恋爱故事中有感人的地方，可总体感觉不疼不痒ni chaud ni froid…美国的爱情电影真心跟法国意大利的不一样，挺不习惯的。看到赫本闹脾气从海边起跑跑出百米开外时听到男主情急之下高喊你别跑啊你回来我就娶你她瞬间就转头回到男主身边两人就此结婚了的那段还是被culture shock到了：这已经是60年代末了啊，美国电影为啥还在讲这种童话故事…可能他们的出发点到底是相信婚姻的，然后经历了很多事，才渐渐开始总结开始感叹开始超越这个制度，但在我们这的电影里这个出发点很早就不复存在了。导演故意给赫本安排了几件颜色特别亮搭配特别丑的衣服，一出场就把观众逗笑了；他们和另外一家三口游Chantilly的那段真的就是法意常见的傻X美国游客典型…🤣
恐婚片，像《夜》，一样是爱情死亡后徒留婚姻的困境，但与那不同的是这部里还有大量的甜蜜温馨的片段，还有那些争吵、摩擦、婚外情……看完倒没称赞它的叙事或者剪辑手法，因为片段性的插叙的叙事手法在这里显得平实，像一个老派导演所做的新潮尝试，而是最后那段，将爱情里的节点通过自驾行一段段路程拼凑起来，概括了这一段感情如何由生到死，尽皆在此，不由想到《千年女优》，不由想到《爱乐之城》。ps，AH在这里面显老了，时髦还是很时髦的。
新浪潮版多南啊，不断跳切剪辑一对夫妻不同时空的状态，信息量非常大。那两个为任何愚蠢的理由疯狂大笑的年轻男女去哪儿了？他们曾经无时无刻不感觉到饿，感觉到欲望，就像车上的小女孩一样任性，直到他们自己成了父亲和母亲，突然间，随性而至不再是件快乐的事，太多责任，太多隔阂，太少荷尔蒙，不再在大路上搭便车，不再睡便宜的小旅馆，也没了胃口，没了做爱和爱人的欲望。题材是老的，但是总有新的故事和桥段，比如晒伤后全身疼痛也要拥抱的一幕就很美。
本片充分体现了赫本平庸的演技
真正的公路电影，每一段戏都发生在路上。从相恋、与前女友一家出行、婚后出游到各自出轨再到复合，公路上写满了一对中产阶级夫妇的激情、倦怠和伤痕。剪辑出彩，每次转场都颇费心思，也是最值得看的错觉创意段落。赫本的各种摹仿秀精灵古怪，可惜38岁已显老态。
8.0/10。①一对中产阶级夫妻十几年走来充满相恋、出轨与复合的婚姻故事。公路片。②精美的高水平摄影美术。③作为传统故事片，打乱时间线的叙事结构（存在相似性转场）虽然增强了叙事的戏剧性张力，但最终叙事依然较淡，而且这种叙事结构有些增大了对剧情理解难度，扣1分。
两人世界，此一时，彼一时。太透彻，不用多言语；太聪明，亦不免耽于春日晚风。漫漫一途，有我，有你。吉光片羽，剪辑未满。台词精华，可切割赏析。
多南《狂人皮埃罗》附体，两位主角则乘坐飞车经历了多重的虫洞穿越，我们无需弄明白这些旅行具体发生的时间顺序，但电影无疑在这多重的穿越中为观众展现了一场更“永恒”的旅行：婚姻中无尽的循环，快乐、忧愁与折磨穿插反复着。随着主角在最后的大全景中跨境进入了我们看不到的新旅程，或许电影早已经重新开始。
婚姻是爱情的坟墓，激情消退如何重新找回遗失的爱，多南擅长的爱情喜剧，别开生面地将几次旅行交叉剪辑，公路电影的创意十足，特别是频频出现的同意象转场，时间变换，空间里更留下无限的唏嘘感慨，台词也有不少金句，两位主要也挺有趣，带给观众愉悦的享受。
简直就是60-67时装史。Mod风尚其实并不适合赫本，Albert Finney表演风格还是那么硬。
太过真实。“什么人会对坐着不发一言？已婚的人。”从相遇相识，相知相恋，到相守相倦，相对无言，过去种种是浪漫，现在一切只残酷。
初看婚前婚后转场对比还真是有意思，想着后面会不会有什么惊喜，结果整个看下来也就是这个样子，还不好笑~
正是在路上看的，高呼三声好看！热恋、新婚、十年后三条主时间线，穿插得轻快自然。婚姻的永恒Paradox也被说尽。
没想到这居然是一部公路片。本片最大的特色是娴熟地运用了交叉剪辑，把男女主人公从巧遇到相恋到十年后的婚姻危机整个历程勾勒得清清楚楚。看完全片你会发现，他俩真是太适合了，简直就是天造地设的一对啊。中年的赫本演技真好。本片的第二特色是运用女性视角叙述故事，所以观众看到的结果就是，这场爱情出现危机，完全是男人的问题。他自私、幼稚、忙于工作不顾妻儿，并且确实如那个刻板的教授所言有极强的控制欲。结局的和好，稍微有点莫名其妙。台词特别优秀，很多对话宛如诗歌，优美文雅，针锋相对，既推动情节又刻画人物，真是厉害。7分。
由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名
4 outta 4. Great Movie. 人物魅力、电影技术、剧本写作、摄影打光、配乐协调全都满分。我不知道是否应该把这部电影归类到chick flick里，因为它实际上更像一部雅克德米和Agnes合作风格下的那类型新浪潮气质描述婚姻和生活本质的电影。辛亏导演选择了倒叙和乱序的手法拍这部电影，如果按照正序来拍的话该多么无聊啊。我无法用一句话来总结我对这部电影的感受，我只能说爱情可能就是这么简单又复杂，但我感谢导演把我心目中爱情最应该的模样展现出来。
感慨颇多，这种公路片的拍摄手法和立意都很好，而一对男女从相遇热恋到婚姻危机的人生轨迹也反映出了大部分人的人生。当我们年轻的时候，钱包空空也满怀激情地出门穷游，而等有一天我们变成了富裕的中年人，希望还能像今天这样对生活充满热爱和深爱对方。
里面的转场太频繁、太自以为是以至于有点过了，反而影响了观众对于剧情和两人感情对比的理解。可惜了。。。