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更新时间：2023-10-05 01:43
详细剧情
本片是约翰．休斯与莫利．林沃德继《少女十五十六时》之后，再度合作的一部中学生喜剧，描写五位个性反叛的男女同学，在假期被罚留校温习功课。五人的家庭背景和性格各异，但在他们诚恳交谈之后，逐渐放开了彼此的戒心和敌意，变成了心意相通的好友。全片对年轻人的心态有相当深入细腻的描写，手法轻松幽默而具启发性，容易获得年轻观众共鸣，一群新秀演员也有贴切的演出。
长篇影评
1 ) 把拳头挥向天空
把拳头挥向天空
文/P&P
<图片1>
《早餐俱乐部》是我至今看过最好的青春片，没有之一。台词的精巧和灵动、气氛和微妙表情的精密把握共同推动整部电影前进，五人组所展现出的迷茫和残酷回味悠长。在清洁工Carl和Dick的对话中，他们问自己和对方：你年轻的时候曾想要成为谁？而隔过一条走廊的空阔教室里，五个unhappy teens在每一句话里悄悄互相问着：我们将会变成什么？
作为名垂青史的High School Movie，它弥漫着的与其说是青春气息，不如说是一种乌托邦气质。五个来自校园不同阶级群体的高中生，在彼此唇枪舌剑之后竟然又走到了一起，他们雄赳赳气昂昂走出校门的样子仿佛有信心对阵整个现实世界。Bender的嘴炮惹怒同伴，他闯祸时却总受到团结一致的掩护；Andrew带队走错了路，一直和他针锋相对的Bender却主动牺牲自己保全大家。也许所有青少年之间本就有着不需解释的天然code，同仇敌忾，一致对外。中间看到几次他们痛哭流涕互相对峙，最后却还能不存芥蒂地相拥，这大概就是成年人永远无法理解也做不到的事情。水火不容的五人组正是被这种code牢牢系起，只因外界的压力与内心的茫然相合，使他们生长出超越血缘与个性的共同情感。《早餐俱乐部》讲的不是单单五个青少年，而是他们身后辽阔的背景展板。皆处于名叫青春的引力场中，无法自拔。
“青少年”这个词语细看来很是古怪，它介于孩子与成人之间，孤独、尴尬而又充满共情。电影中的留校时间则提供了扒下成人外表、袒露孩童心灵的美妙机会，Claire哭着说自己遭遇了同侪压力，Brian为一个F而纠结至意图放弃生命，这些设置现在看来平淡无奇，却的确是剖开内心的表达。有些话，只能对“自己人”说。Alison说谎、骗人，但她一句“your heart dies”却拥有使人心碎的力量。就在这个私密而不需考虑后果的空间内，五人组碰撞爆发出的能量的确足够惊人，它中二却也热血，粗糙却也无比真诚。除了这群人，这群和我们一起生存于人生夹缝中的人，还有谁能和我们聊如此深刻的哲学以及如此羞涩的困惑呢？
片中的人物时而被描述为“脸谱化”，但那就是我们眼里的世界，颜色鲜艳、线条简单。到头来，他们还是那五个标签下的人，但又绝不仅止于此。他们不只是外界目光下的木偶，或者家庭延续的枝叶，骨肉躯壳局限之外，有着难以抑制的无限。跳舞的一段，We Are Not Alone太好听了。歌声高呼着，标签之下，血肉之下，我们都一样，深入骨髓之处都是同一个狂奔呐喊的少年。音乐响起，每个人用自己的方式起舞，宣泄着无处可去的热情，没有目的，四散纷飞。成人世界的标准——阶级、背景、环境，开着BMW的老爸与酗酒家暴的所谓父亲，这样的壁垒自然无法打破；但在这里，褪下你的成人化外衣吧，就做个孩子，在我们之间。总有人看进你的眼睛，如同照向一面明镜。
最打动我的角色是Bender，他的救世、敏感、狂怒，以及最嚣张和易碎的目光。最后他举起的那个拳头把我看呆了。
周一早晚会来。电影开头，平静的声音控诉着来自老师定义的简单粗暴terms，镜头扫过爆炸的柜子、啦啦队彩带和AND YOU DIE, FAG!的愤怒标语，把模式化的stereotype摆给观众看。于是我们很容易会抱着期待，想看影片结尾的深入挖掘与推翻。结果直到最后一秒，才发现一切都往复回环直至始端。周一到来时，以及在那个周一之后的漫长岁月里，我们将会成为什么，仍然没有人知道；友谊和爱情可能都只是吹弹即破的泡沫，而无法越过的壁垒一如既往无法越过。背景音乐不停地唱，Don’t you forget about me, don't don't don't don't …像哭诉，像求饶。这个结局不团圆，它带着与生俱来无法化解的缺憾，仿佛注定要把美好的东西毁灭给人看。而Bender朝着天空的拳头，它既是徒劳无功的最终落败，也是明知不可的奋力行舟。
五人组终将走出那个没有差别的乌托邦，走出那个人人充满共鸣的引力场，收起拉着的手、跳着的舞、嗑着的药和吹着的口哨，走进沟壑纵横的成人生活，改换成万千隔阂。青春是一堆乱线，是一场幻觉，把我们所有人紧密相连。舞会女王爱上混混，哥特怪人与运动明星接吻，风光地走出走廊，然后各奔前程。但早餐俱乐部，它没有相聚时间，却在莽乱的时空中永恒地存在。我们最终逃不脱那些枷锁与标签，但在标签的下面还有着别的什么。烟雾缭绕中，疯狂发泄中，舞蹈中，战斗中，泪眼笑声中，你能看见这些人浑身蒸腾着的灵魂。
But what we found out, is that each one of us is a brain, and an athlete, and a basket case, a princess, and a criminal. Does that answer your question?
这是安静的问号，狂喜的悲哀，苦痛的笑容。这是伊甸园向现实世界的臣服，也是伊甸园在现实世界中的永生。生命的前进像是朝着黑洞行驶的旅程，无论我们再怎样挣扎哭喊最终也要沦入其中。成年人并不都是行动迟缓感情麻木的大型动物，但原谅我，我真的放不下这身年轻人的模样。黑洞的吸引力无法抵御，结局并不会有任何不同，但总有人会对着天空挥出一拳，不为了打碎白日或苍穹——有些时候，挥拳的意义就是挥拳本身。这些远未成为大人也早已不是小孩的、无法定义和归类的人，永远热情，永远大胆，永远放纵和真诚；永远盲目，永远迷茫，永远朝着不是黑洞的方向奔去。海报上写这一次meeting改变了他们的人生，但人生也许不会被改变，只是必然的轨迹在位移相等的同时路程不同，多拐了几个漂亮的大弯。黑洞还或许在远处、或许在不远处耐心地等待着我们，没人知道那之后会是什么，但在那之前，如凯鲁亚克所言，我们的热泪未曾干涸过。阔步、挥拳，心中如有火种，一点就着。
------------------------------------------------------------------------------------------------------------------------
题外话碎碎念：
我爱美国八十年代，浮夸的服装加上节奏感强到爆炸的好听OST。《麦田里的守望者》与《在路上》中的莫名其妙愤怒能量在这里以另一种形式表达，青少年世界的法则和成年人的的确彻底不同。
和Emma Stone不一样，我不遗憾JH没能导演我的生活，因为我的生活和他银幕里的生活，剖开细看都同样bizarre。
We Are Not Alone是个迷之命题，因为the only thing we have in common is our loneliness.
在网上搜照片时，发现演员都老了，但他们永恒的青春还停驻在早餐俱乐部里，磨洗我们的眼睛，使它们永远如最初发现同类时般明亮。
“我终有一天将离开，就像我从未存在过。”但我把拳头挥向天空，我把拳头挥向天空。与天地曾不能以一瞬共存的，是物与我皆无尽也。
再题外话：
AMC Filmsite中写到本片位于50部最佳HSM之首（http://www.filmsite.org/50besthsfilms2.html），里面的description写的也很风趣，可以去看看。
文/P&P
<图片1>
《早餐俱乐部》是我至今看过最好的青春片，没有之一。台词的精巧和灵动、气氛和微妙表情的精密把握共同推动整部电影前进，五人组所展现出的迷茫和残酷回味悠长。在清洁工Carl和Dick的对话中，他们问自己和对方：你年轻的时候曾想要成为谁？而隔过一条走廊的空阔教室里，五个unhappy teens在每一句话里悄悄互相问着：我们将会变成什么？
作为名垂青史的High School Movie，它弥漫着的与其说是青春气息，不如说是一种乌托邦气质。五个来自校园不同阶级群体的高中生，在彼此唇枪舌剑之后竟然又走到了一起，他们雄赳赳气昂昂走出校门的样子仿佛有信心对阵整个现实世界。Bender的嘴炮惹怒同伴，他闯祸时却总受到团结一致的掩护；Andrew带队走错了路，一直和他针锋相对的Bender却主动牺牲自己保全大家。也许所有青少年之间本就有着不需解释的天然code，同仇敌忾，一致对外。中间看到几次他们痛哭流涕互相对峙，最后却还能不存芥蒂地相拥，这大概就是成年人永远无法理解也做不到的事情。水火不容的五人组正是被这种code牢牢系起，只因外界的压力与内心的茫然相合，使他们生长出超越血缘与个性的共同情感。《早餐俱乐部》讲的不是单单五个青少年，而是他们身后辽阔的背景展板。皆处于名叫青春的引力场中，无法自拔。
“青少年”这个词语细看来很是古怪，它介于孩子与成人之间，孤独、尴尬而又充满共情。电影中的留校时间则提供了扒下成人外表、袒露孩童心灵的美妙机会，Claire哭着说自己遭遇了同侪压力，Brian为一个F而纠结至意图放弃生命，这些设置现在看来平淡无奇，却的确是剖开内心的表达。有些话，只能对“自己人”说。Alison说谎、骗人，但她一句“your heart dies”却拥有使人心碎的力量。就在这个私密而不需考虑后果的空间内，五人组碰撞爆发出的能量的确足够惊人，它中二却也热血，粗糙却也无比真诚。除了这群人，这群和我们一起生存于人生夹缝中的人，还有谁能和我们聊如此深刻的哲学以及如此羞涩的困惑呢？
片中的人物时而被描述为“脸谱化”，但那就是我们眼里的世界，颜色鲜艳、线条简单。到头来，他们还是那五个标签下的人，但又绝不仅止于此。他们不只是外界目光下的木偶，或者家庭延续的枝叶，骨肉躯壳局限之外，有着难以抑制的无限。跳舞的一段，We Are Not Alone太好听了。歌声高呼着，标签之下，血肉之下，我们都一样，深入骨髓之处都是同一个狂奔呐喊的少年。音乐响起，每个人用自己的方式起舞，宣泄着无处可去的热情，没有目的，四散纷飞。成人世界的标准——阶级、背景、环境，开着BMW的老爸与酗酒家暴的所谓父亲，这样的壁垒自然无法打破；但在这里，褪下你的成人化外衣吧，就做个孩子，在我们之间。总有人看进你的眼睛，如同照向一面明镜。
最打动我的角色是Bender，他的救世、敏感、狂怒，以及最嚣张和易碎的目光。最后他举起的那个拳头把我看呆了。
周一早晚会来。电影开头，平静的声音控诉着来自老师定义的简单粗暴terms，镜头扫过爆炸的柜子、啦啦队彩带和AND YOU DIE, FAG!的愤怒标语，把模式化的stereotype摆给观众看。于是我们很容易会抱着期待，想看影片结尾的深入挖掘与推翻。结果直到最后一秒，才发现一切都往复回环直至始端。周一到来时，以及在那个周一之后的漫长岁月里，我们将会成为什么，仍然没有人知道；友谊和爱情可能都只是吹弹即破的泡沫，而无法越过的壁垒一如既往无法越过。背景音乐不停地唱，Don’t you forget about me, don't don't don't don't …像哭诉，像求饶。这个结局不团圆，它带着与生俱来无法化解的缺憾，仿佛注定要把美好的东西毁灭给人看。而Bender朝着天空的拳头，它既是徒劳无功的最终落败，也是明知不可的奋力行舟。
五人组终将走出那个没有差别的乌托邦，走出那个人人充满共鸣的引力场，收起拉着的手、跳着的舞、嗑着的药和吹着的口哨，走进沟壑纵横的成人生活，改换成万千隔阂。青春是一堆乱线，是一场幻觉，把我们所有人紧密相连。舞会女王爱上混混，哥特怪人与运动明星接吻，风光地走出走廊，然后各奔前程。但早餐俱乐部，它没有相聚时间，却在莽乱的时空中永恒地存在。我们最终逃不脱那些枷锁与标签，但在标签的下面还有着别的什么。烟雾缭绕中，疯狂发泄中，舞蹈中，战斗中，泪眼笑声中，你能看见这些人浑身蒸腾着的灵魂。
But what we found out, is that each one of us is a brain, and an athlete, and a basket case, a princess, and a criminal. Does that answer your question?
这是安静的问号，狂喜的悲哀，苦痛的笑容。这是伊甸园向现实世界的臣服，也是伊甸园在现实世界中的永生。生命的前进像是朝着黑洞行驶的旅程，无论我们再怎样挣扎哭喊最终也要沦入其中。成年人并不都是行动迟缓感情麻木的大型动物，但原谅我，我真的放不下这身年轻人的模样。黑洞的吸引力无法抵御，结局并不会有任何不同，但总有人会对着天空挥出一拳，不为了打碎白日或苍穹——有些时候，挥拳的意义就是挥拳本身。这些远未成为大人也早已不是小孩的、无法定义和归类的人，永远热情，永远大胆，永远放纵和真诚；永远盲目，永远迷茫，永远朝着不是黑洞的方向奔去。海报上写这一次meeting改变了他们的人生，但人生也许不会被改变，只是必然的轨迹在位移相等的同时路程不同，多拐了几个漂亮的大弯。黑洞还或许在远处、或许在不远处耐心地等待着我们，没人知道那之后会是什么，但在那之前，如凯鲁亚克所言，我们的热泪未曾干涸过。阔步、挥拳，心中如有火种，一点就着。
------------------------------------------------------------------------------------------------------------------------
题外话碎碎念：
我爱美国八十年代，浮夸的服装加上节奏感强到爆炸的好听OST。《麦田里的守望者》与《在路上》中的莫名其妙愤怒能量在这里以另一种形式表达，青少年世界的法则和成年人的的确彻底不同。
和Emma Stone不一样，我不遗憾JH没能导演我的生活，因为我的生活和他银幕里的生活，剖开细看都同样bizarre。
We Are Not Alone是个迷之命题，因为the only thing we have in common is our loneliness.
在网上搜照片时，发现演员都老了，但他们永恒的青春还停驻在早餐俱乐部里，磨洗我们的眼睛，使它们永远如最初发现同类时般明亮。
“我终有一天将离开，就像我从未存在过。”但我把拳头挥向天空，我把拳头挥向天空。与天地曾不能以一瞬共存的，是物与我皆无尽也。
再题外话：
AMC Filmsite中写到本片位于50部最佳HSM之首（http://www.filmsite.org/50besthsfilms2.html），里面的description写的也很风趣，可以去看看。
2 ) 到底什么，什么是80
5个主要角色，校霸，校队选手，小疯子，富家女，书呆子。
2个配角，教导主任，清洁工。
典型的美国校园角色类型，经典到就算再看30年后今日的校园片，角色也仅仅是从这上面衍生。
既然本片讲的是青少年心理问题和家庭关系，那么先来看看每个被detention少年的痛苦来源。
（其实从开头就能看出个大半来）
1. 校霸John
John除了脸上没写，全身上下都透露着“am a bad boy”气息。几个人去Bryan柜子的时候有个很有意思的鞋子特写，Andrew是白色的运动鞋（应该是羽毛球），Allison则是哥特风小短靴陪条纹袜子，Claire是时髦的棕色长靴，Bryan是休闲鞋，John的最独特，一只袜子搞出来了一只没有，而且还用火烧鞋（...?）。
全片他几乎一直都在用言语攻击他人，像个刺猬，造成这些负面性格的应该仅仅是家庭，从John摹仿家长的样子能看出这并不是一个和谐的家庭环境，父母亲受教育程度不高，会拿雪茄烫他，不会送他来学校，生日的时候只送他烟。这样缺爱的成长会让John不知道怎么去爱自己，也不知道怎么去爱别人，所以他柜子里藏毒品，惹是生非，无视规则，那是因为身上没有别人的期待和责任感；他明明对Claire有好感，一开始却不停的性骚扰，有点“一起坠落”的感觉。
当然这个校霸本性不坏，当一群人发现偷偷回去的路被堵死后，他选择一人承担全部责任；当Claire提到他的朋友时，John会仗义地怼回去；会因为感受到来自老师的恶意而绝望。
2. 校队哥Andrew
每个人物都典型地让我激动，Andrew的父亲胜欲强，不希望自己的孩子是输家，对其负有重任。所以他为了sports scholarship疯狂训练，或者说，他为了得到父亲的期许而努力，饭量也得按着运动员的大标准健康食量来，挺痛苦的应该。骨子里其实是个善良而怯懦的人，我觉得他甚至有点像Bryan。他会因为自己的恶作剧感到愧疚和羞耻，对于女性也有着保护欲。这男孩子虽然像个伪刺头，但内心挺好的，
3. 小疯子Allison
后面详细写了，这里就不说了。
4. 富家女Claire
家里很有钱，看宝马，吃寿司。感觉自己是父母的粘合剂。并不喜欢现在的圈子但因为地位会很高所以待在里面。感觉大家都喜欢她。
5. 书呆子Bryan
Parents期望太高。
两个成年角色嘛，一个清洁工我没看出来他除了打打嘴炮有啥用，教导主任的话作用大了，一人撑起了半个主题。
“That‘s why we met here at 7:00 this morning, we were brain washed" 这个是Bryan写给教导主任的essay，同时也是本片的主题之一——stereotype。但我懒得写了，底下的骂累了。
总体评价的话，导演塑造人物的功力还是很强的，选角非常成功，每个小演员的功底都很好，放在一起戏也很搭。影片风格有一股浓烈的80s风格，干净，色调鲜明，台词废话很多且贴近生活，整个节奏也不紧不慢，连贯性不强，但是就是非常80s，自由而纯粹。结尾的小舞蹈我很喜欢，虽然尝试录屏后失败了。
按影片质量，能给4星。
但是！
这个人物感情线我是真的迷惑啊
每当我以为导演要开始好好地抒情调动观众情绪的时候，他的确有，但我没感受到。
怎么说呢，就像是你去一家高级的拉面店吃饭，上来的却是过桥米线。
编剧希望把一切导致悲剧的帽子都扣在家庭头上，这的确是一种观点，但是我有选择不同意的权利。作为一名正在经历高中生活的极度矫情青少年，我觉得剧中人物的行为真的是非常让人迷惑。
Allison这个角色我一开始是最喜欢的，觉得很疯很独特。她很有艺术细胞，甚至还能想到拿头皮屑往画上当雪洒，她不在乎别人的眼光，吃着面包夹麦片也能开开心心。运动员谈心的时候揭露这些古怪行为的原因：无论是外形还是说着”我要离家出走“的言论，都是希望家长能不要忽视自己。看到这里我还能理解，可是五个人围圈圈她开始骗Claire自己跟心理医生上过床那里就很奇怪。
你说她是为了Claire好希望她坦诚，但是前面所有的铺垫都没有让人觉得她是一个如此善良聪慧的女孩子；你说她just being mean或者是这是想展示一下她根本不在乎sex，拿别人避而不谈的事情确实是真的mean的。最后自己在Claire的帮助下变美，害羞地像Andrew走去。好吧看到这里是明白那么一点了，她除了attention啥也不要，真是败光我对这个人物的好感了。
也不是说一定要独特才好，还是剧中人物坦诚而开心最重要。但是Allison的转变处理地不是很好吧，从疯狂变回正常，是一个拥抱自己，爱回自己，认清现实的过程，可是我看到的仅仅是她倾诉了一下事实，换了条裙子画了个妆，脸上就能重回阳光笑容？
一个状况差到失语，害怕交流，行为举止与常人有差的青春期少女接受心理治疗无果，在你这儿哭一下就好了？如果自己不爱自己，别人怎么爱上你？这个主次顺序错了吧。
回到Sex的部分。John几乎全程对于Claire都是一种侮辱的口吻和态度，他会问你是不是处，会钻到她的内裤底下，会开下流的玩笑。他的行为完全可以构成轻微性骚扰，但是Claire只是边哭边忍耐，骂他一句还得哄，一起吸大麻。虽然这些刺话都是John的保护机制，但是导演并没有在这里深谈，所以才有点违和。Claire对着Bryan说hey我不介意你是个处，自己又不想承认自己是处，真的好不坦诚。
Bryan，呃，出了事儿怪别人，爱攀权附势不爱承认。也很矛盾了。Claire要说peer pressure的时候直接哭哭哭给打断了，我：？？？。
可能有人会说这就是八十年代的美国浪漫气息，或者这就是青少年的内心，变化无常，价值观不稳定。的确，时代变了，拿二十一世纪的滤镜去看三四十年前的电影其实不是一个很理智的行为。但还是觉得有点可惜啊，The Breakfast Club真的是期待了很久的一部电影，可能是心灵捕手啊死亡诗社啊同样类型影片水平太高，或者说我已经过了那个迷茫的阶段，让人实在无法从早餐俱乐部中拥有感动和共情。
无力吐槽了。
以后短时间内都不会再看处理的这么差的校园片了，想快进又怕快进了没得骂了。
果然青少年情感复杂的只有十几集的电视剧才能讲明白。
3 ) ...And these children
"...And these children
that you spit on
as they try to change their worlds
are immune to your consultations.
They're quite aware
of what they're going through..."
David Bowie
Bender: Don't you want to hear my excuse?
Richard Vernon: Out.
Bender: I'm thinkin' of tryin' out for a scholarship.
Richard Vernon: You're not fooling anyone Bender. The next screw that falls out will be you.
Bender: Eat my shorts.
Richard Vernon: What was that?
Bender: Eat... My... Shorts.
Richard Vernon: You just bought yourself another Saturday.
Bender: Ooh I'm crushed.
Richard Vernon: You just bought one more.
Bender: Well I'm free the Saturday after that. Beyond that, I'm going to have to check my calendar.
Richard Vernon: Good, cause it's going to be filled. We'll keep going. You want another one? Just say the word say it. Instead of going to prison you'll come here. Are you through?
Bender: No.
Andrew: You ask me one more question and I'm beating the shit out of you.
Richard Vernon: That's the last time, Bender. That the last time you ever make me look bad in front of those kids, you hear me? I make $31,000 a year and I have a home and I'm not about to throw it all away on some punk like you. But someday when you're outta here and you've forgotten all about this place and they've forgotten all about you, and you're wrapped up in your own pathetic life, I'm gonna be there. That's right. And I'm gonna kick the living shit out of you. I'm gonna knock your dick in the dirt.
Bender: You threatening me?
Richard Vernon: What are you gonna do about it? You think anyone's gonna believe you? You think anyone is gonna take your word over mine? I'm a man of respect around here. They love me around here. I'm a swell guy. You're a lying sack of shit and everybody knows it. Oh, you're a tough guy. Hey c'mon. Get on your feet pal. Let's find out how tough you are. I wanna know right now how tough you are.
[offers Bender his chin]
Richard Vernon: Just take the first shot. I'm begging you, take a shot. Just one hit. Come on, that's all I need, just one swing...
[Bender pauses, staring]
Richard Vernon: That's what I thought. You're a gutless turd.
Andrew: Why do you have to insult everybody?
John Bender: I'm being honest, asshole. I would expect you to know the difference.
Claire Standish: [about her parents] I don't think either one of them gives a shit about me. It's like they use me just to get back at each other.
Allison Reynolds: [her first word of dialogue so far] Ha!
Claire Standish: [long pause] Shut up!
Claire Standish: Do you know how popular I am? I am so popular. Everybody loves me so much at this school.
Bender: Poor baby.
Bender: [after Claire kisses his neck] Why'd you do that?
Claire Standish: 'Cause I knew you wouldn't.
Claire Standish: [pause] Were you truly disgusted with what I did with my lipstick?
Bender: The truth?
Claire Standish: Yeah.
Bender: [nods] No.
Bender: Remember how you said your parents use you to get back at each other?
Claire Standish: [nods]
Bender: Wouldn't I be OUTSTANDING in that capacity?
Andrew: We're all pretty bizarre. Some of us are just better at hiding it, that's all.
Andrew Clark: What do they do to you?
Allison Reynolds: They ignore me.
Andrew Clark: Yeah... yeah.
Claire Standish: You know why guys like you knock everything?
John Bender: Oh, this should be stunning.
Claire Standish: It's because you're afraid.
John Bender: Oh God, you richies are so smart, that's exactly why I'm not heavy into activities.
Claire Standish: You're a big coward.
Brian Johnson: I'm in the math club.
Claire Standish: See, you're afraid that they won't take you, you don't belong, so you have to just dump all over it.
John Bender: Well, it wouldn't have anything to do with you activities people being assholes, now would it?
Claire Standish: Well, you wouldn't know, you don't even know any of us.
John Bender: Well, I don't know any lepers, but I'm not going to run out and join one of their fucking clubs.
Andrew Clark: Hey. Let's watch the mouth, huh?
Brian Johnson: I'm in the physics club too.
John Bender: Excuse me a sec. What are you babbling about?
Brian Johnson: Well, what I had said was I'm in the math club, uh, the latin, and the physics club... physics club.
John Bender: Hey, Cherry. Do you belong to the physics club?
Claire Standish: That's an academic club.
John Bender: So?
Claire Standish: So academic clubs aren't the same as other kinds of clubs.
John Bender: Ah... but to dorks like him, they are. What do you guys do in your club?
Brian Johnson: Well, in physics we... we talk about physics, properties of physics.
John Bender: So it's sorta social, demented and sad, but social. Right?
Allison Reynolds: You have problems.
Andrew Clark: Oh, I have problems?
Allison Reynolds: You do everything everyone tells you to do and that is a problem.
Andrew Clark: Okay, fine, but I didn't dump my purse out on the couch and invite everyone into my problems.
Brian Johnson: Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you're crazy to make an essay telling you who we think we are. You see us as you want to see us... In the simplest terms, in the most convenient definitions. But what we found out is that each one of us is a brain...
Andrew Clark: ...and an athlete...
Allison Reynolds: ...and a basket case...
Claire Standish: ...a princess...
John Bender: ...and a criminal...
Brian Johnson: Does that answer your question?... Sincerely yours, the Breakfast Club.
Bender: [as Mr. Vernon leaves the library] That man... is a brownie hound.
Richard Vernon: Why is that door closed? WHY IS THAT DOOR CLOSED?
Andrew: Speak for yourself.
Bender: Do you think I'd speak for you? I don't even know your language.
[to himself, crawling above some acoustic ceiling tiles]
Bender: Naked blonde walks into a bar with a poodle under one arm, and a two-foot salami under the other. The bartender says, I guess you won't be needing a drink. Naked lady says...
[the ceiling gives way]
Bender: Oh, *shit*.
Bender: You know how you said before, how your parents use you to get back at each other? Wouldn't I be outstanding in that capacity?
John Bender: Screws fall out all the time, the world is an imperfect place.
[Claire is doing Allison's make-up]
Claire: You know, you look a lot better without all that black shit under your eyes.
Allison Reynolds: Hey, I like all that black shit... Why are you being so nice to me?
Claire: Because you're letting me.
Allison Reynolds: Your middle name is Ralph, as in puke, your birth date's March 12th, you're 5'9 and a half, you weigh 130 pounds and your social security number is 049380913.
Andrew Clark: Wow. Are you psychic?
Allison Reynolds: No.
Brian Johnson: Well, would you mind telling me how you know all this about me?
Allison Reynolds: I stole your wallet.
Claire Standish: He's just doing it to get a rise out of you. Just ignore him.
John Bender: Sweets. You couldn't ignore me if you tried. So... so. Are you guys like boyfriend-girlfriend? Steady dates? Lovers? Come on, sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: Go to HELL.
Andrew: Enough.
Richard Vernon: Hey. What's goin in there? Damn pricks.
John Bender: So... So, are you guys boyfriend/girlfriend? Steady Dates? Lov-ers? Come on, Sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: GO TO HELL.
Andrew Clark: ENOUGH.
Richard Vernon: Hey. What's going on in there?
[whispering]
Richard Vernon: Damn pricks.
Andrew Clark: If I lose my temper you're totaled, man.
John Bender: Totally?
Andrew Clark: Totally.
Claire Standish: I hate it. I hate having to go along with everything my friends say.
John Bender: Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: Well, well. Here we are. You have exactly eight hours and fifty-four minutes to think about why you're here. You may not talk, you will not move from these seats. Any questions?
John Bender: Yeah. Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: [Andrew laughs at Bender's backtalk] You think he's funny? You think this is cute? You think he's "bitchin," is that it? Let me tell you something. Look at him - he's a bum. You want to see something funny? You go visit John Bender in five years. You'll see how goddamned funny he is.
John Bender: Don't you ever talk about my friends. You don't know any of my friends. You don't look at any of my friends. And you certainly wouldn't condescend to speak to any of my friends. So you just stick to the things you know: shopping, nail polish, your father's BMW, and your poor, rich drunk mother in the Caribbean.
Claire Standish: SHUT UP.
John Bender: And as far as being concerned about what's gonna happen when you and I walk down the hallways of school together, you can forget it cuz it's never gonna happen. Just bury your head in the sand and wait for your fucking prom.
Allison Reynolds: I don't have to runaway and live in the street. I can runaway and I can go to the ocean, I can go to the country, I can go to the mountains. I could go to Israel, Africa, Afghanistan.
Brian Johnson: I'm a fucking idiot because I can't make a lamp?
John Bender: No. You're a genius because you can't make a lamp.
Allison Reynolds: I'll do anything sexual. I don't need a million dollars to do it either.
Claire Standish: You're lying.
Allison Reynolds: I already have. I've done just about everything there is except a few things that are illegal. I'm a nymphomaniac.
Claire Standish: Lie.
Brian Johnson: Are your parents aware of this?
Allison Reynolds: The only person I told was my shrink.
Andrew Clark: And what did he do when you told him?
Allison Reynolds: He nailed me.
Claire Standish: Very nice.
Allison Reynolds: I don't think that from a legal standpoint what he did can be construed as rape, since I paid him.
Claire Standish: He's an adult.
Allison Reynolds: Yeah, he's married too.
Claire Standish: Do you have any idea how completely gross that is?
Allison Reynolds: Well, the first few times...
Claire Standish: The first few times? You mean you did it more than once?
Allison Reynolds: Sure.
Claire Standish: Are you crazy?
Brian Johnson: Obviously she's crazy if she's screwing a shrink.
Allison Reynolds: Have you ever done it?
Claire Standish: I don't even have a psychiatrist.
Allison Reynolds: Have you ever done it with a normal person?
Claire Standish: Didn't we already cover this?
John Bender: You never answered the question.
Claire Standish: Look, I'm not going to discuss my private life with total strangers.
Allison Reynolds: It's kind of a double edged sword isn't it?
Claire Standish: A what?
Allison Reynolds: Well, if you say you haven't, you're a prude. If you say you have you're a slut. It's a trap. You want to but you can't, and when you do you wish you didn't, right?
Claire Standish: Wrong.
Allison Reynolds: Or are you a tease?
Andrew Clark: She's a tease.
Claire Standish: I'm sure. Why don't you just forget it.
Andrew Clark: Oh, you're a tease and you know it. All girls are teases.
John Bender: She's only a tease if what she does gets you hot.
Claire Standish: I don't do anything.
Allison Reynolds: That's why you're a tease.
Claire Standish: OK, let me ask you a few questions.
Allison Reynolds: I already told you everything.
Claire Standish: No. Doesn't it bother you to sleep around without being in love. I mean, don't you want any respect?
Allison Reynolds: I don't screw to get respect. That's the difference between you and me.
Claire Standish: It's not the only difference I hope.
John Bender: Face it, you're a tease.
Claire Standish: I'm NOT a tease.
John Bender: Sure you are. Sex is your weapon. You said it yourself. You use it to get respect.
Claire Standish: No, I never said that she twisted my words around.
John Bender: What do you use it for then?
Claire Standish: I don't use it period.
John Bender: Oh, are you medically frigid or is it psychological?
Claire Standish: I didn't mean it that way. You guys are putting words into my mouth.
John Bender: Well, if you'd just answer the question.
Brian Johnson: Why don't you just answer the question?
Andrew Clark: Be honest.
John Bender: No big deal.
Brian Johnson: Yeah answer it.
Andrew Clark: Answer the question, Claire.
John Bender: Talk to us. Every one: C'mon, answer the question. Come on. Answer it.
John Bender: C'mon, it's easy. It's only one question.
Claire Standish: NO I NEVER DID IT.
Allison Reynolds: I never did it either. I'm not a nymphomaniac. I'm a compulsive liar.
Allison Reynolds: [after Andrew says he would drive to school naked for one million dollars] I'd do that. I'll do anything sexual, and I don't need a million dollars to do it either. I'm a nymphomaniac.
Andrew: [after Claire has given Allison a makeover] What happened to you?
Allison Reynolds: Why? Claire did it... What's wrong?
Andrew: Nothing's wrong... it's just so different, you know? I can see your face.
Allison Reynolds: Is that good or bad?
Andrew: It's good.
John Bender: Being bad feels pretty good, huh?
John: Hey, how come Andrew gets to get up? If he gets up, we'll all get up, it'll be anarchy.
Brian Johnson: Chicks cannot hold their smoke, dat's what it is.
John: I just wanna know how one becomes a janitor because Andrew here is very interested in pursuing a career in the custodial arts.
John Bender: Well, Brian, this is a very nutritious lunch. All the food groups are represented. Did your mom marry Mr. Rogers?
Brian Johnson: Uh, no. Mr. Johnson.
Andrew Clark: You don't have any goals.
John Bender: Oh but I do.
Andrew Clark: Yeah?
John Bender: I wanna be just like you. I figure all I need, is a lobotomy and some tights.
Brian Johnson: You wear tights?
Andrew Clark: No I don't wear tights. I wear the required uniform.
Brian Johnson: Tights.
Andrew Clark: Shut up.
John Bender: Sporto.
Andrew Clark: What?
John Bender: You get along with your parents?
Andrew Clark: Well, if I say yes I'm an idiot, right?
John Bender: You're an idiot anyway. But if you say you get along with your parents, well, you're a liar too.
Richard Vernon: Don't mess with the bull, young man. You'll get the horns.
Richard Vernon: What if your home... what if your family... what if your *dope* was on fire?
John Bender: Impossible, sir. It's in Johnson's underwear.
Bender: [after putting his head between Claire's legs under the table] It was an accident.
Claire Standish: You're an asshole.
Bender: Sue me.
John Bender: What's in there?
Claire Standish: Guess? Where's your lunch?
John Bender: You're wearing it.
Claire Standish: You're nauseating.
John Bender: [pointing to Claire's lunch] What's that?
Claire Standish: Sushi.
John Bender: Sushi?
Claire Standish: Rice, raw fish, and seaweed.
John Bender: You won't accept a guy's tongue in your mouth, and you're going to eat that?
Claire Standish: Can I eat?
John Bender: I don't know. Give it a try.
John Bender: But face it. You're a neo maxi zoom dweebie, what would you be doing if you weren't out making yourself a better citizen?
Andrew: What do you need a fake I.D. for?
Brian: So I can vote.
John Bender: Uh, Dick? Excuse me; Rich. Will milk be made available to us?
Andrew Clark: We're extremely thirsty, sir.
Claire Standish: I have a really low tolerance for dehydration.
Andrew Clark: I've seen her dehydrate, sir. It's pretty gross.
Allison Reynolds: When you grow up, your heart dies.
John: So, who cares?
Allison Reynolds: I care.
Richard Vernon: You think about this: when you get old, these kids - when *I* get old - they're going to be running the country.
Carl: Yeah.
Richard Vernon: Now this is the thought that wakes me up in the middle of the night. That when I get older, these kids are going to take care of me.
Carl: I wouldn't count on it.
Claire Standish: What's your name?
John Bender: What's yours?
Claire Standish: Claire.
John Bender: Claire?
Claire Standish: Claire. It's a family name.
John Bender: Oh, it's a fat girl's name.
Claire Standish: Oh, thank you.
John Bender: You're welcome.
Claire Standish: I'm not fat.
John Bender: Well not at present, but I can see you really pushing maximum density. See I'm not sure if you know this, but there are two kinds of fat people: there's fat people that were born to be fat, and there's fat people that were once thin but became fat... so when you look at 'em you can sorta see that thin person inside. You see, you're gonna get married, you're gonna squeeze out a few puppies and then, uh...
[John Bender is absently tearing up books]
Andrew Clark: That's real intelligent.
John Bender: You're right. It's wrong to destroy literature. It's such fun to read. And
[examines title]
John Bender: Moe-Lay really pumps my nads.
Claire Standish: Moliere.
John Bender: Stupid, worthless, no good, goddamn, freeloading son of a bitch. Retarded, big mouth, know-it-all, asshole, jerk. You forgot ugly, lazy and disrespectful. Shut up bitch. Go fix me a turkey pot pie. No dad, what about you? Fuck you. No dad, what about you? Fuck you. Dad, what about you? Fuck you.
Brian Johnson: Is that for real?
John Bender: You wanna come over sometime?
John Bender: [Vernon has just left the library after giving John two months of detention and insulting him in the process] FUCK YOU!
John Bender: I like those earings, Claire.
Claire Standish: Shut up.
John Bender: Are those real diamonds, Claire?
Claire Standish: Shut up.
John Bender: I bet they are. Did you work for the money to buy those earings?
Claire Standish: Shut your mouth.
John Bender: Or did your Daddy buy those for you?
Claire Standish: [shouts] Shut up!
John Bender: I'll bet he bought those for you. I bet those were a Christmas gift. You know what I got for Christmas? Oh, it was a banner fucking year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said, "Hey, smoke up Johnny." Alright? So go home and cry to your Daddy. Don't cry here, okay?
John Bender: [to Vernon] Keep your fuckin' hands off me! I'd expect better manners from you, Dick.
Richard Vernon: What was that ruckus?
Andrew Clark: Uh, what ruckus?
Richard Vernon: I was just in my office and I heard a ruckus.
Brian Johnson: Could you describe the ruckus, sir?
Andrew: Yo wastoid, you're not gonna blaze up in here.
[as Bender prepares to urinate under his desk]
Andrew Clark: Hey, you're not urinating in here, man.
John Bender: Don't talk. Don't talk. It makes it crawl back up.
John Bender: YOU ARE A BITCH.
Claire Standish: Why? 'Cause I'm telling the truth, that makes me a bitch?
John Bender: NO. 'Cause you know how shitty that is to do someone, and you don't got the balls to stand up to your friends and tell them you're gonna like who you wanna like.
John Bender: Hey, homeboy, what do you say we close that door, we'll get the prom queen impregnated.
John Bender: You know what I got for Christmas this year? It was a banner fuckin' year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said "Hey. Smoke up Johnny."
Brian's mom: Now is this the first time or the last time you do this to me?
Brian Johnson: Last.
Brian's mom: Now get in there and use the time to your advantage.
Brian Johnson: Mom, we're not supposed to study, we just have to sit there and do nothing.
Brian's mom: Well mister, you figure out a way to study.
Brian's sister: Yeah.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Vernon's mother and a ferris wheel...
[Richard Vernon places magazine rack in front of door to hold it open]
John Bender: That's very clever, sir. But what if there's a fire? I think violating fire codes and endangering the lives of children would be unwise at this juncture in your career, sir.
Principal Richard Vernon: The next time I have to come in here I'm crackin' skulls.
Claire Standish: Why didn't you want me to know that you are a virgin?
Brian Johnson: Because it's my business - my personal business.
John Bender: Well, Brian, it doesn't sound like you're doing any business.
John Bender: My impression of life at Big Bri's house, "Son?" "Yeah, Dad?" "How was your day, son?" "Great, Dad. How's yours?" "Super. Say, how would like to go fishing this weekend?" "Great, Dad. But I got homework to do." "That's okay, son. You can do it on the boat." "Gee." "Hon, isn't our son swell?" "Yes, dear. Isn't life swell?"
[kiss]
John Bender: [after Claire flips him off] Oh, obscene finger gestures from such a pristine girl.
Richard Vernon: What did you wanna be when you were young?
Carl: When I was a kid, I wanted to be John Lennon.
Richard Vernon: Carl, don't be a goof. I'm making a serious point here.
Bender: Claire, you wanna see a picture of a guy with elephantitis of the nuts? It's pretty tasty.
Claire: No thank you.
Bender: How does he ride a bike?
Bender: Oh Claire, would you ever consider dating a guy who looked like this?
Claire: Can't you just leave me alone?
Bender: I mean even if he had a nice personality and a cool car... although you'd probably have to ride in the backseat because his nuts would ride shotgun
Andrew: I said, leave her alone.
Bender: You gonna make me?
Andrew: Yeah.
Bender: You and how many of your friends?
Andrew: Just me. Just you and me. Two hits. Me hitting you. You hitting the floor. Anytime you're ready, pal.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Virgin's mother and a ferris wheel...
Richard Vernon: You ought to spend a little more time trying to make something of yourself and a little less time trying to impress people.
Bender: You're kind of sexy when you're angry.
Andrew Clark: So... what's your poison?
[no answer]
Andrew Clark: ... Ok, forget I asked.
[first lines]
Allison Reynolds: Vodka.
Andrew Clark: Oh yeah? How much vodka do you drink?
Allison Reynolds: Tons.
John Bender: [after Claire performs her lipstick trick]
[Claps sarcastically]
John Bender: Wow, Claire. That was great. My image of you is totally blown.
Allison Reynolds: You're a shit. Don't do that to her, you swore to God you wouldn't laugh.
John Bender: Am I laughing?
Andrew Clark: [shouts angrily] You fuckin' prick!
John Bender: What do you care what I think anyway? I don't even count... Right? I could disappear forever and it wouldn't make any difference. I might as well not even exist at this school, remember?
[Turns to Claire]
John Bender: And you... don't like me anyway.
Bender: You load up, you party.
Brian Johnson: Uhh, no, actually, we dress up.
Carl: I am the eyes and ears of this institution, my friends!
that you spit on
as they try to change their worlds
are immune to your consultations.
They're quite aware
of what they're going through..."
David Bowie
Bender: Don't you want to hear my excuse?
Richard Vernon: Out.
Bender: I'm thinkin' of tryin' out for a scholarship.
Richard Vernon: You're not fooling anyone Bender. The next screw that falls out will be you.
Bender: Eat my shorts.
Richard Vernon: What was that?
Bender: Eat... My... Shorts.
Richard Vernon: You just bought yourself another Saturday.
Bender: Ooh I'm crushed.
Richard Vernon: You just bought one more.
Bender: Well I'm free the Saturday after that. Beyond that, I'm going to have to check my calendar.
Richard Vernon: Good, cause it's going to be filled. We'll keep going. You want another one? Just say the word say it. Instead of going to prison you'll come here. Are you through?
Bender: No.
Andrew: You ask me one more question and I'm beating the shit out of you.
Richard Vernon: That's the last time, Bender. That the last time you ever make me look bad in front of those kids, you hear me? I make $31,000 a year and I have a home and I'm not about to throw it all away on some punk like you. But someday when you're outta here and you've forgotten all about this place and they've forgotten all about you, and you're wrapped up in your own pathetic life, I'm gonna be there. That's right. And I'm gonna kick the living shit out of you. I'm gonna knock your dick in the dirt.
Bender: You threatening me?
Richard Vernon: What are you gonna do about it? You think anyone's gonna believe you? You think anyone is gonna take your word over mine? I'm a man of respect around here. They love me around here. I'm a swell guy. You're a lying sack of shit and everybody knows it. Oh, you're a tough guy. Hey c'mon. Get on your feet pal. Let's find out how tough you are. I wanna know right now how tough you are.
[offers Bender his chin]
Richard Vernon: Just take the first shot. I'm begging you, take a shot. Just one hit. Come on, that's all I need, just one swing...
[Bender pauses, staring]
Richard Vernon: That's what I thought. You're a gutless turd.
Andrew: Why do you have to insult everybody?
John Bender: I'm being honest, asshole. I would expect you to know the difference.
Claire Standish: [about her parents] I don't think either one of them gives a shit about me. It's like they use me just to get back at each other.
Allison Reynolds: [her first word of dialogue so far] Ha!
Claire Standish: [long pause] Shut up!
Claire Standish: Do you know how popular I am? I am so popular. Everybody loves me so much at this school.
Bender: Poor baby.
Bender: [after Claire kisses his neck] Why'd you do that?
Claire Standish: 'Cause I knew you wouldn't.
Claire Standish: [pause] Were you truly disgusted with what I did with my lipstick?
Bender: The truth?
Claire Standish: Yeah.
Bender: [nods] No.
Bender: Remember how you said your parents use you to get back at each other?
Claire Standish: [nods]
Bender: Wouldn't I be OUTSTANDING in that capacity?
Andrew: We're all pretty bizarre. Some of us are just better at hiding it, that's all.
Andrew Clark: What do they do to you?
Allison Reynolds: They ignore me.
Andrew Clark: Yeah... yeah.
Claire Standish: You know why guys like you knock everything?
John Bender: Oh, this should be stunning.
Claire Standish: It's because you're afraid.
John Bender: Oh God, you richies are so smart, that's exactly why I'm not heavy into activities.
Claire Standish: You're a big coward.
Brian Johnson: I'm in the math club.
Claire Standish: See, you're afraid that they won't take you, you don't belong, so you have to just dump all over it.
John Bender: Well, it wouldn't have anything to do with you activities people being assholes, now would it?
Claire Standish: Well, you wouldn't know, you don't even know any of us.
John Bender: Well, I don't know any lepers, but I'm not going to run out and join one of their fucking clubs.
Andrew Clark: Hey. Let's watch the mouth, huh?
Brian Johnson: I'm in the physics club too.
John Bender: Excuse me a sec. What are you babbling about?
Brian Johnson: Well, what I had said was I'm in the math club, uh, the latin, and the physics club... physics club.
John Bender: Hey, Cherry. Do you belong to the physics club?
Claire Standish: That's an academic club.
John Bender: So?
Claire Standish: So academic clubs aren't the same as other kinds of clubs.
John Bender: Ah... but to dorks like him, they are. What do you guys do in your club?
Brian Johnson: Well, in physics we... we talk about physics, properties of physics.
John Bender: So it's sorta social, demented and sad, but social. Right?
Allison Reynolds: You have problems.
Andrew Clark: Oh, I have problems?
Allison Reynolds: You do everything everyone tells you to do and that is a problem.
Andrew Clark: Okay, fine, but I didn't dump my purse out on the couch and invite everyone into my problems.
Brian Johnson: Dear Mr. Vernon, we accept the fact that we had to sacrifice a whole Saturday in detention for whatever it was we did wrong. But we think you're crazy to make an essay telling you who we think we are. You see us as you want to see us... In the simplest terms, in the most convenient definitions. But what we found out is that each one of us is a brain...
Andrew Clark: ...and an athlete...
Allison Reynolds: ...and a basket case...
Claire Standish: ...a princess...
John Bender: ...and a criminal...
Brian Johnson: Does that answer your question?... Sincerely yours, the Breakfast Club.
Bender: [as Mr. Vernon leaves the library] That man... is a brownie hound.
Richard Vernon: Why is that door closed? WHY IS THAT DOOR CLOSED?
Andrew: Speak for yourself.
Bender: Do you think I'd speak for you? I don't even know your language.
[to himself, crawling above some acoustic ceiling tiles]
Bender: Naked blonde walks into a bar with a poodle under one arm, and a two-foot salami under the other. The bartender says, I guess you won't be needing a drink. Naked lady says...
[the ceiling gives way]
Bender: Oh, *shit*.
Bender: You know how you said before, how your parents use you to get back at each other? Wouldn't I be outstanding in that capacity?
John Bender: Screws fall out all the time, the world is an imperfect place.
[Claire is doing Allison's make-up]
Claire: You know, you look a lot better without all that black shit under your eyes.
Allison Reynolds: Hey, I like all that black shit... Why are you being so nice to me?
Claire: Because you're letting me.
Allison Reynolds: Your middle name is Ralph, as in puke, your birth date's March 12th, you're 5'9 and a half, you weigh 130 pounds and your social security number is 049380913.
Andrew Clark: Wow. Are you psychic?
Allison Reynolds: No.
Brian Johnson: Well, would you mind telling me how you know all this about me?
Allison Reynolds: I stole your wallet.
Claire Standish: He's just doing it to get a rise out of you. Just ignore him.
John Bender: Sweets. You couldn't ignore me if you tried. So... so. Are you guys like boyfriend-girlfriend? Steady dates? Lovers? Come on, sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: Go to HELL.
Andrew: Enough.
Richard Vernon: Hey. What's goin in there? Damn pricks.
John Bender: So... So, are you guys boyfriend/girlfriend? Steady Dates? Lov-ers? Come on, Sporto, level with me. Do you slip her the hot beef injection?
Claire Standish: GO TO HELL.
Andrew Clark: ENOUGH.
Richard Vernon: Hey. What's going on in there?
[whispering]
Richard Vernon: Damn pricks.
Andrew Clark: If I lose my temper you're totaled, man.
John Bender: Totally?
Andrew Clark: Totally.
Claire Standish: I hate it. I hate having to go along with everything my friends say.
John Bender: Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: Well, well. Here we are. You have exactly eight hours and fifty-four minutes to think about why you're here. You may not talk, you will not move from these seats. Any questions?
John Bender: Yeah. Does Barry Manilow know that you raid his wardrobe?
Richard Vernon: [Andrew laughs at Bender's backtalk] You think he's funny? You think this is cute? You think he's "bitchin," is that it? Let me tell you something. Look at him - he's a bum. You want to see something funny? You go visit John Bender in five years. You'll see how goddamned funny he is.
John Bender: Don't you ever talk about my friends. You don't know any of my friends. You don't look at any of my friends. And you certainly wouldn't condescend to speak to any of my friends. So you just stick to the things you know: shopping, nail polish, your father's BMW, and your poor, rich drunk mother in the Caribbean.
Claire Standish: SHUT UP.
John Bender: And as far as being concerned about what's gonna happen when you and I walk down the hallways of school together, you can forget it cuz it's never gonna happen. Just bury your head in the sand and wait for your fucking prom.
Allison Reynolds: I don't have to runaway and live in the street. I can runaway and I can go to the ocean, I can go to the country, I can go to the mountains. I could go to Israel, Africa, Afghanistan.
Brian Johnson: I'm a fucking idiot because I can't make a lamp?
John Bender: No. You're a genius because you can't make a lamp.
Allison Reynolds: I'll do anything sexual. I don't need a million dollars to do it either.
Claire Standish: You're lying.
Allison Reynolds: I already have. I've done just about everything there is except a few things that are illegal. I'm a nymphomaniac.
Claire Standish: Lie.
Brian Johnson: Are your parents aware of this?
Allison Reynolds: The only person I told was my shrink.
Andrew Clark: And what did he do when you told him?
Allison Reynolds: He nailed me.
Claire Standish: Very nice.
Allison Reynolds: I don't think that from a legal standpoint what he did can be construed as rape, since I paid him.
Claire Standish: He's an adult.
Allison Reynolds: Yeah, he's married too.
Claire Standish: Do you have any idea how completely gross that is?
Allison Reynolds: Well, the first few times...
Claire Standish: The first few times? You mean you did it more than once?
Allison Reynolds: Sure.
Claire Standish: Are you crazy?
Brian Johnson: Obviously she's crazy if she's screwing a shrink.
Allison Reynolds: Have you ever done it?
Claire Standish: I don't even have a psychiatrist.
Allison Reynolds: Have you ever done it with a normal person?
Claire Standish: Didn't we already cover this?
John Bender: You never answered the question.
Claire Standish: Look, I'm not going to discuss my private life with total strangers.
Allison Reynolds: It's kind of a double edged sword isn't it?
Claire Standish: A what?
Allison Reynolds: Well, if you say you haven't, you're a prude. If you say you have you're a slut. It's a trap. You want to but you can't, and when you do you wish you didn't, right?
Claire Standish: Wrong.
Allison Reynolds: Or are you a tease?
Andrew Clark: She's a tease.
Claire Standish: I'm sure. Why don't you just forget it.
Andrew Clark: Oh, you're a tease and you know it. All girls are teases.
John Bender: She's only a tease if what she does gets you hot.
Claire Standish: I don't do anything.
Allison Reynolds: That's why you're a tease.
Claire Standish: OK, let me ask you a few questions.
Allison Reynolds: I already told you everything.
Claire Standish: No. Doesn't it bother you to sleep around without being in love. I mean, don't you want any respect?
Allison Reynolds: I don't screw to get respect. That's the difference between you and me.
Claire Standish: It's not the only difference I hope.
John Bender: Face it, you're a tease.
Claire Standish: I'm NOT a tease.
John Bender: Sure you are. Sex is your weapon. You said it yourself. You use it to get respect.
Claire Standish: No, I never said that she twisted my words around.
John Bender: What do you use it for then?
Claire Standish: I don't use it period.
John Bender: Oh, are you medically frigid or is it psychological?
Claire Standish: I didn't mean it that way. You guys are putting words into my mouth.
John Bender: Well, if you'd just answer the question.
Brian Johnson: Why don't you just answer the question?
Andrew Clark: Be honest.
John Bender: No big deal.
Brian Johnson: Yeah answer it.
Andrew Clark: Answer the question, Claire.
John Bender: Talk to us. Every one: C'mon, answer the question. Come on. Answer it.
John Bender: C'mon, it's easy. It's only one question.
Claire Standish: NO I NEVER DID IT.
Allison Reynolds: I never did it either. I'm not a nymphomaniac. I'm a compulsive liar.
Allison Reynolds: [after Andrew says he would drive to school naked for one million dollars] I'd do that. I'll do anything sexual, and I don't need a million dollars to do it either. I'm a nymphomaniac.
Andrew: [after Claire has given Allison a makeover] What happened to you?
Allison Reynolds: Why? Claire did it... What's wrong?
Andrew: Nothing's wrong... it's just so different, you know? I can see your face.
Allison Reynolds: Is that good or bad?
Andrew: It's good.
John Bender: Being bad feels pretty good, huh?
John: Hey, how come Andrew gets to get up? If he gets up, we'll all get up, it'll be anarchy.
Brian Johnson: Chicks cannot hold their smoke, dat's what it is.
John: I just wanna know how one becomes a janitor because Andrew here is very interested in pursuing a career in the custodial arts.
John Bender: Well, Brian, this is a very nutritious lunch. All the food groups are represented. Did your mom marry Mr. Rogers?
Brian Johnson: Uh, no. Mr. Johnson.
Andrew Clark: You don't have any goals.
John Bender: Oh but I do.
Andrew Clark: Yeah?
John Bender: I wanna be just like you. I figure all I need, is a lobotomy and some tights.
Brian Johnson: You wear tights?
Andrew Clark: No I don't wear tights. I wear the required uniform.
Brian Johnson: Tights.
Andrew Clark: Shut up.
John Bender: Sporto.
Andrew Clark: What?
John Bender: You get along with your parents?
Andrew Clark: Well, if I say yes I'm an idiot, right?
John Bender: You're an idiot anyway. But if you say you get along with your parents, well, you're a liar too.
Richard Vernon: Don't mess with the bull, young man. You'll get the horns.
Richard Vernon: What if your home... what if your family... what if your *dope* was on fire?
John Bender: Impossible, sir. It's in Johnson's underwear.
Bender: [after putting his head between Claire's legs under the table] It was an accident.
Claire Standish: You're an asshole.
Bender: Sue me.
John Bender: What's in there?
Claire Standish: Guess? Where's your lunch?
John Bender: You're wearing it.
Claire Standish: You're nauseating.
John Bender: [pointing to Claire's lunch] What's that?
Claire Standish: Sushi.
John Bender: Sushi?
Claire Standish: Rice, raw fish, and seaweed.
John Bender: You won't accept a guy's tongue in your mouth, and you're going to eat that?
Claire Standish: Can I eat?
John Bender: I don't know. Give it a try.
John Bender: But face it. You're a neo maxi zoom dweebie, what would you be doing if you weren't out making yourself a better citizen?
Andrew: What do you need a fake I.D. for?
Brian: So I can vote.
John Bender: Uh, Dick? Excuse me; Rich. Will milk be made available to us?
Andrew Clark: We're extremely thirsty, sir.
Claire Standish: I have a really low tolerance for dehydration.
Andrew Clark: I've seen her dehydrate, sir. It's pretty gross.
Allison Reynolds: When you grow up, your heart dies.
John: So, who cares?
Allison Reynolds: I care.
Richard Vernon: You think about this: when you get old, these kids - when *I* get old - they're going to be running the country.
Carl: Yeah.
Richard Vernon: Now this is the thought that wakes me up in the middle of the night. That when I get older, these kids are going to take care of me.
Carl: I wouldn't count on it.
Claire Standish: What's your name?
John Bender: What's yours?
Claire Standish: Claire.
John Bender: Claire?
Claire Standish: Claire. It's a family name.
John Bender: Oh, it's a fat girl's name.
Claire Standish: Oh, thank you.
John Bender: You're welcome.
Claire Standish: I'm not fat.
John Bender: Well not at present, but I can see you really pushing maximum density. See I'm not sure if you know this, but there are two kinds of fat people: there's fat people that were born to be fat, and there's fat people that were once thin but became fat... so when you look at 'em you can sorta see that thin person inside. You see, you're gonna get married, you're gonna squeeze out a few puppies and then, uh...
[John Bender is absently tearing up books]
Andrew Clark: That's real intelligent.
John Bender: You're right. It's wrong to destroy literature. It's such fun to read. And
[examines title]
John Bender: Moe-Lay really pumps my nads.
Claire Standish: Moliere.
John Bender: Stupid, worthless, no good, goddamn, freeloading son of a bitch. Retarded, big mouth, know-it-all, asshole, jerk. You forgot ugly, lazy and disrespectful. Shut up bitch. Go fix me a turkey pot pie. No dad, what about you? Fuck you. No dad, what about you? Fuck you. Dad, what about you? Fuck you.
Brian Johnson: Is that for real?
John Bender: You wanna come over sometime?
John Bender: [Vernon has just left the library after giving John two months of detention and insulting him in the process] FUCK YOU!
John Bender: I like those earings, Claire.
Claire Standish: Shut up.
John Bender: Are those real diamonds, Claire?
Claire Standish: Shut up.
John Bender: I bet they are. Did you work for the money to buy those earings?
Claire Standish: Shut your mouth.
John Bender: Or did your Daddy buy those for you?
Claire Standish: [shouts] Shut up!
John Bender: I'll bet he bought those for you. I bet those were a Christmas gift. You know what I got for Christmas? Oh, it was a banner fucking year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said, "Hey, smoke up Johnny." Alright? So go home and cry to your Daddy. Don't cry here, okay?
John Bender: [to Vernon] Keep your fuckin' hands off me! I'd expect better manners from you, Dick.
Richard Vernon: What was that ruckus?
Andrew Clark: Uh, what ruckus?
Richard Vernon: I was just in my office and I heard a ruckus.
Brian Johnson: Could you describe the ruckus, sir?
Andrew: Yo wastoid, you're not gonna blaze up in here.
[as Bender prepares to urinate under his desk]
Andrew Clark: Hey, you're not urinating in here, man.
John Bender: Don't talk. Don't talk. It makes it crawl back up.
John Bender: YOU ARE A BITCH.
Claire Standish: Why? 'Cause I'm telling the truth, that makes me a bitch?
John Bender: NO. 'Cause you know how shitty that is to do someone, and you don't got the balls to stand up to your friends and tell them you're gonna like who you wanna like.
John Bender: Hey, homeboy, what do you say we close that door, we'll get the prom queen impregnated.
John Bender: You know what I got for Christmas this year? It was a banner fuckin' year at the old Bender family. I got a carton of cigarettes. The old man grabbed me and said "Hey. Smoke up Johnny."
Brian's mom: Now is this the first time or the last time you do this to me?
Brian Johnson: Last.
Brian's mom: Now get in there and use the time to your advantage.
Brian Johnson: Mom, we're not supposed to study, we just have to sit there and do nothing.
Brian's mom: Well mister, you figure out a way to study.
Brian's sister: Yeah.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Vernon's mother and a ferris wheel...
[Richard Vernon places magazine rack in front of door to hold it open]
John Bender: That's very clever, sir. But what if there's a fire? I think violating fire codes and endangering the lives of children would be unwise at this juncture in your career, sir.
Principal Richard Vernon: The next time I have to come in here I'm crackin' skulls.
Claire Standish: Why didn't you want me to know that you are a virgin?
Brian Johnson: Because it's my business - my personal business.
John Bender: Well, Brian, it doesn't sound like you're doing any business.
John Bender: My impression of life at Big Bri's house, "Son?" "Yeah, Dad?" "How was your day, son?" "Great, Dad. How's yours?" "Super. Say, how would like to go fishing this weekend?" "Great, Dad. But I got homework to do." "That's okay, son. You can do it on the boat." "Gee." "Hon, isn't our son swell?" "Yes, dear. Isn't life swell?"
[kiss]
John Bender: [after Claire flips him off] Oh, obscene finger gestures from such a pristine girl.
Richard Vernon: What did you wanna be when you were young?
Carl: When I was a kid, I wanted to be John Lennon.
Richard Vernon: Carl, don't be a goof. I'm making a serious point here.
Bender: Claire, you wanna see a picture of a guy with elephantitis of the nuts? It's pretty tasty.
Claire: No thank you.
Bender: How does he ride a bike?
Bender: Oh Claire, would you ever consider dating a guy who looked like this?
Claire: Can't you just leave me alone?
Bender: I mean even if he had a nice personality and a cool car... although you'd probably have to ride in the backseat because his nuts would ride shotgun
Andrew: I said, leave her alone.
Bender: You gonna make me?
Andrew: Yeah.
Bender: You and how many of your friends?
Andrew: Just me. Just you and me. Two hits. Me hitting you. You hitting the floor. Anytime you're ready, pal.
Bender: [running through the halls singing] I wanna be an airborne ranger / I wanna lead a life of danger / Before the day I die / There's five things I wanna ride / Bicycle, tricycle, automobile / Virgin's mother and a ferris wheel...
Richard Vernon: You ought to spend a little more time trying to make something of yourself and a little less time trying to impress people.
Bender: You're kind of sexy when you're angry.
Andrew Clark: So... what's your poison?
[no answer]
Andrew Clark: ... Ok, forget I asked.
[first lines]
Allison Reynolds: Vodka.
Andrew Clark: Oh yeah? How much vodka do you drink?
Allison Reynolds: Tons.
John Bender: [after Claire performs her lipstick trick]
[Claps sarcastically]
John Bender: Wow, Claire. That was great. My image of you is totally blown.
Allison Reynolds: You're a shit. Don't do that to her, you swore to God you wouldn't laugh.
John Bender: Am I laughing?
Andrew Clark: [shouts angrily] You fuckin' prick!
John Bender: What do you care what I think anyway? I don't even count... Right? I could disappear forever and it wouldn't make any difference. I might as well not even exist at this school, remember?
[Turns to Claire]
John Bender: And you... don't like me anyway.
Bender: You load up, you party.
Brian Johnson: Uhh, no, actually, we dress up.
Carl: I am the eyes and ears of this institution, my friends!
4 ) 把美国高中制度总结刻画的很好~·！
《早餐俱乐部》~•个人影评•~
1985的一部老电影，偶然间在《环球荧幕》上看到了，便一发不可收拾的爱上了。值得一提的是这是青春类影片的始祖（而且《朱诺》的导演是在看了《早餐俱乐部》才萌生了拍《朱诺》的想法）。但这并不是一般意义上的青春类电影，它其实并不“单细胞”，而是深入剖析了在美国校园“等级制度”下的各种角色的真实特点和想法。
美国的高中校园一般分成5类团体：
A：运动员（sporto，校园里的明星，食物链的top）
B：拉拉队长（cheerleader/princess，女版同上）
C：朋克（punk/criminal，学校的犯罪分子）
D：书呆子（nerd，社交障碍的天才）
E：怪胎（freak，被人忽视的艺术家）
看完以后的总述：这个世界需要天才，即使他们当时被公认为是不合群的疯子，书呆子，怪胎，即使他们可能对girls束手无策。但他们以后所作出的贡献却能比得上无数个sporto宠儿，而他们也可以得到无数个cheerleader作为女友。
生活就是这样，规矩是有成功者来定的，所以成功者是孤独的人，他们用大脑改变世界，100后仍会有人记得他们，所以今天的寂寞又算得了什么呢••••••
每个人都在扮演着各自的角色，生活在自己的小圈子中，对圈子以外的事都不闻不问。（中国现在的学生更可怜，连圈子都没有，没人知道自己到底想成为个谁~）他们对其他人不了解，他们也不屑于了解，亦或许是美国高校这种大制度，潜移默化的规则把他们制度化了，已经没有勇气去冲破了••••••
Princess是完美的，她们拥有令人慕羡的脸蛋儿，身材一流的运动员男友，一帮跟前跟后后的“姐妹”（只能算姐妹，不能算朋友。一帮子随时准备倒戈的将士，你能视他们为心腹吗？！）每天疯狂的闲聊与购物，只为在年终舞会上获得那个“全世界”都想要的Prom Queen。这一切的一切都无可厚非，这就是一个princess该过的生活。
sporto是令人敬仰的明星，他们拥有数不清的大大小小的奖杯，大学奖学金的召唤，全校最美的cheerleader作为女友，他们带着一帮打手，每天盛气凌人的欺负弱者，却是全校的中心。不过在他们的内心，却始终不知道自己想要的是什么。只有他们的严厉的教练父亲会不断地在他们耳边狂吼“GO！GO！GOAL！！！”其实在心里，他们只是不知所措的孩子，大脑完全还停留在初中而已••••••这就是 sporto，是学校里的全明星，但以后呢，除了有后台的，其他的也都只有默默了•••••••
nerd是令人感到无趣的一个族群，他们拥有的知识也许可以和一个大学生媲美了（注：是美国大学生，如果中国大学还是那么的令人堪忧的话，也许这个注解就可以永远的省了）但他们却总在别人谈论衣服和电影的时候提起量子学，微积分。一个白眼之后，成三米距离散开。在高中的这个阶段，他们缺少社交，缺少朋友。感到了许多这方面的压力（电影中说有学业的压力，可我觉得这类人一般都是天才！）可谁又能想到，当初被大家嘲笑、欺负的书呆子，今天会成为你的老板呢？！
Freak是游走在人群之外的，他们有自己的族群，一起干着灵婆一样的事，用奇怪的方式探寻者人类和自然界的灵异之事。他们不修边幅，形象邋遢，买脑子黑色、阴郁之事。不过他们却是天生的艺术家和探险家。
Criminal这伙孩子或哥特，或朋克，或重金属。他们是用身上的纹身和伤疤标榜着自己的特立独行，用他们黑色皮衣上的尖刺来让人敬而远之。他们只会用暴力说话，他们没有了拳头，就变成了可怜虫。蜷缩在角落。但在人们对他们恨之入骨的时候，有没有人会想起是家庭的暴力使得弱小的他们必须变得坚强。强势的他们却又是如此的脆弱与孤单。这样既COOL又残酷的人生，让他们创造了摇滚，这一股反叛却强大到足以作为精神支柱的力量•••••••用自己的伤疤谱写的旋律能不让我们为之着迷吗？!!!摇滚吧，把在纸醉金迷中过完余生~~~~•••••
中国的校园没有这么清晰的分类（当然校园恶霸和好学生的分类当然是很清晰的，游荡于之间的同学就永远徘徊在好学生与坏学生之间）。产生这样现象的原因总的来说
1：是我们国家改革开放的晚，对世界的认知也起步也较晚。
2：职业选来选去也就那么几种，从大人那一代思想就太局限了。
3：人们对自己职业规划的意识也不强，除了大人告诉我们的当医生，当公务员，似乎世界上就再也没有更好的职位了。
4：每天只是被强调了死读书的重要，却没有人对于兴趣加以开发，所以大家一个个都像是工厂里的产品，我有的大家都有，没有区别，毫无个性••••••
在这里祝愿大家，早日找到自己的方向，不要变成学校标准化生产的产品~！
~•Stammy•~
2011.1.10
1985的一部老电影，偶然间在《环球荧幕》上看到了，便一发不可收拾的爱上了。值得一提的是这是青春类影片的始祖（而且《朱诺》的导演是在看了《早餐俱乐部》才萌生了拍《朱诺》的想法）。但这并不是一般意义上的青春类电影，它其实并不“单细胞”，而是深入剖析了在美国校园“等级制度”下的各种角色的真实特点和想法。
美国的高中校园一般分成5类团体：
A：运动员（sporto，校园里的明星，食物链的top）
B：拉拉队长（cheerleader/princess，女版同上）
C：朋克（punk/criminal，学校的犯罪分子）
D：书呆子（nerd，社交障碍的天才）
E：怪胎（freak，被人忽视的艺术家）
看完以后的总述：这个世界需要天才，即使他们当时被公认为是不合群的疯子，书呆子，怪胎，即使他们可能对girls束手无策。但他们以后所作出的贡献却能比得上无数个sporto宠儿，而他们也可以得到无数个cheerleader作为女友。
生活就是这样，规矩是有成功者来定的，所以成功者是孤独的人，他们用大脑改变世界，100后仍会有人记得他们，所以今天的寂寞又算得了什么呢••••••
每个人都在扮演着各自的角色，生活在自己的小圈子中，对圈子以外的事都不闻不问。（中国现在的学生更可怜，连圈子都没有，没人知道自己到底想成为个谁~）他们对其他人不了解，他们也不屑于了解，亦或许是美国高校这种大制度，潜移默化的规则把他们制度化了，已经没有勇气去冲破了••••••
Princess是完美的，她们拥有令人慕羡的脸蛋儿，身材一流的运动员男友，一帮跟前跟后后的“姐妹”（只能算姐妹，不能算朋友。一帮子随时准备倒戈的将士，你能视他们为心腹吗？！）每天疯狂的闲聊与购物，只为在年终舞会上获得那个“全世界”都想要的Prom Queen。这一切的一切都无可厚非，这就是一个princess该过的生活。
sporto是令人敬仰的明星，他们拥有数不清的大大小小的奖杯，大学奖学金的召唤，全校最美的cheerleader作为女友，他们带着一帮打手，每天盛气凌人的欺负弱者，却是全校的中心。不过在他们的内心，却始终不知道自己想要的是什么。只有他们的严厉的教练父亲会不断地在他们耳边狂吼“GO！GO！GOAL！！！”其实在心里，他们只是不知所措的孩子，大脑完全还停留在初中而已••••••这就是 sporto，是学校里的全明星，但以后呢，除了有后台的，其他的也都只有默默了•••••••
nerd是令人感到无趣的一个族群，他们拥有的知识也许可以和一个大学生媲美了（注：是美国大学生，如果中国大学还是那么的令人堪忧的话，也许这个注解就可以永远的省了）但他们却总在别人谈论衣服和电影的时候提起量子学，微积分。一个白眼之后，成三米距离散开。在高中的这个阶段，他们缺少社交，缺少朋友。感到了许多这方面的压力（电影中说有学业的压力，可我觉得这类人一般都是天才！）可谁又能想到，当初被大家嘲笑、欺负的书呆子，今天会成为你的老板呢？！
Freak是游走在人群之外的，他们有自己的族群，一起干着灵婆一样的事，用奇怪的方式探寻者人类和自然界的灵异之事。他们不修边幅，形象邋遢，买脑子黑色、阴郁之事。不过他们却是天生的艺术家和探险家。
Criminal这伙孩子或哥特，或朋克，或重金属。他们是用身上的纹身和伤疤标榜着自己的特立独行，用他们黑色皮衣上的尖刺来让人敬而远之。他们只会用暴力说话，他们没有了拳头，就变成了可怜虫。蜷缩在角落。但在人们对他们恨之入骨的时候，有没有人会想起是家庭的暴力使得弱小的他们必须变得坚强。强势的他们却又是如此的脆弱与孤单。这样既COOL又残酷的人生，让他们创造了摇滚，这一股反叛却强大到足以作为精神支柱的力量•••••••用自己的伤疤谱写的旋律能不让我们为之着迷吗？!!!摇滚吧，把在纸醉金迷中过完余生~~~~•••••
中国的校园没有这么清晰的分类（当然校园恶霸和好学生的分类当然是很清晰的，游荡于之间的同学就永远徘徊在好学生与坏学生之间）。产生这样现象的原因总的来说
1：是我们国家改革开放的晚，对世界的认知也起步也较晚。
2：职业选来选去也就那么几种，从大人那一代思想就太局限了。
3：人们对自己职业规划的意识也不强，除了大人告诉我们的当医生，当公务员，似乎世界上就再也没有更好的职位了。
4：每天只是被强调了死读书的重要，却没有人对于兴趣加以开发，所以大家一个个都像是工厂里的产品，我有的大家都有，没有区别，毫无个性••••••
在这里祝愿大家，早日找到自己的方向，不要变成学校标准化生产的产品~！
~•Stammy•~
2011.1.10
5 ) 幕后花絮<摘自百科>影片后半段众人围坐在地板上讲述各自烦恼的桥段居然没有剧本！！！
·这是导演约翰·休斯执导的第二部电影，他仅用了两天就完成了影片的剧本（1982年7月4日与5日两天）。
·影片的主演为五位高中生，他们对自己定义分别是：公主、书呆子、运动员、怪胎跟罪犯。
·最初，《早餐俱乐部》曾计划每十年拍摄一部续集，展现每一位俱乐部成员的生活状态，但这一设想最终没有达成。首要原因是约翰·休斯与扮演扮演本德的演员贾德·尼尔森关系实在太糟糕，休斯·曾经甚至表示，他永远不会与尼尔森再次合作。另外休斯曾经的御用演员莫利·林沃德也在80年代末与其渐行渐远，成年后的林沃德希望自己的戏路不只局限于青少年电影，两人因此出现分歧，最终分道扬镳。
·影片的后半段，众人围坐在地板上讲述各自烦恼的桥段并没有剧本，导演约翰·休斯完全让他们自由发挥。影片当中其他由演员即兴发挥的段落还包括，布莱恩回答为什么他有一个假身份证时说的“那样我就可以投票了”。
·电影的最后一个镜头，本德举起拳头，指向天空，这一画面现在几乎被视作80年代电影的标志，实际上这也是贾德·尼尔森即兴发挥的桥段。导演让他走向夕阳，随便做几个动作。他们马上就要拍完的时候，尼尔森突然做了这个动作。
·与片中角色年龄最接近的两位演员是莫利·林沃德与安东尼·迈克尔·豪尔，他们出演该片时均为17岁。安东尼·迈克尔·豪尔与艾丽·西蒂则均为23岁。
·曾是校园风云人物的卡尔最终成了学校的清洁工，清洁工卡尔也是该所高中1969年的年度风云人·物。
·直到电影的第33分钟，艾丽·西蒂扮演的艾莉森才说了第一句台词。
·五位俱乐部成员在片中抽的大麻实质上是牛至叶。
·尼古拉斯·凯奇和约翰·库萨克本来都是扮演本德的人选，但是制片人觉得凯奇要价太高，而库萨克则在临开拍前被导演换成了贾德·尼尔森。贾德·尼尔森在影片当中所穿的那套衣服，和他在试镜本德这个角色的时候穿的是同一套。
·五个人周六被留校的原因分别是：本德：乱按火警报警器；安德鲁：恶作剧地把一个学生的屁股粘住了；布莱恩：衣柜里有一把枪；克莱尔：逃课去逛街；艾莉森：什么也没做，她只是无聊。
·约翰·休斯就读于北格伦布鲁克高中，影片也在这所高中里取景拍摄。
·影片中五个人一起吹口哨的那首曲子是《波基上校进行曲》，1957年大卫·里恩的《桂河大桥》中曾使用过这首曲子。
·后世各种作品当中对于《早餐俱乐部》的致敬数不胜数，甚至在2015年上映的《泰迪熊2》中，主角们也恶搞了一把影片中本德、安德鲁和布莱恩在桌子上跳的那支舞。
·布莱恩母亲的车牌号是“EMC 2”——爱因斯坦的公式。影片开始，送布莱恩来上学的就是他现实中的妈妈与妹妹，至于片尾接他回家的父亲则由导演约翰·休斯扮演。
·影片的主演为五位高中生，他们对自己定义分别是：公主、书呆子、运动员、怪胎跟罪犯。
·最初，《早餐俱乐部》曾计划每十年拍摄一部续集，展现每一位俱乐部成员的生活状态，但这一设想最终没有达成。首要原因是约翰·休斯与扮演扮演本德的演员贾德·尼尔森关系实在太糟糕，休斯·曾经甚至表示，他永远不会与尼尔森再次合作。另外休斯曾经的御用演员莫利·林沃德也在80年代末与其渐行渐远，成年后的林沃德希望自己的戏路不只局限于青少年电影，两人因此出现分歧，最终分道扬镳。
·影片的后半段，众人围坐在地板上讲述各自烦恼的桥段并没有剧本，导演约翰·休斯完全让他们自由发挥。影片当中其他由演员即兴发挥的段落还包括，布莱恩回答为什么他有一个假身份证时说的“那样我就可以投票了”。
·电影的最后一个镜头，本德举起拳头，指向天空，这一画面现在几乎被视作80年代电影的标志，实际上这也是贾德·尼尔森即兴发挥的桥段。导演让他走向夕阳，随便做几个动作。他们马上就要拍完的时候，尼尔森突然做了这个动作。
·与片中角色年龄最接近的两位演员是莫利·林沃德与安东尼·迈克尔·豪尔，他们出演该片时均为17岁。安东尼·迈克尔·豪尔与艾丽·西蒂则均为23岁。
·曾是校园风云人物的卡尔最终成了学校的清洁工，清洁工卡尔也是该所高中1969年的年度风云人·物。
·直到电影的第33分钟，艾丽·西蒂扮演的艾莉森才说了第一句台词。
·五位俱乐部成员在片中抽的大麻实质上是牛至叶。
·尼古拉斯·凯奇和约翰·库萨克本来都是扮演本德的人选，但是制片人觉得凯奇要价太高，而库萨克则在临开拍前被导演换成了贾德·尼尔森。贾德·尼尔森在影片当中所穿的那套衣服，和他在试镜本德这个角色的时候穿的是同一套。
·五个人周六被留校的原因分别是：本德：乱按火警报警器；安德鲁：恶作剧地把一个学生的屁股粘住了；布莱恩：衣柜里有一把枪；克莱尔：逃课去逛街；艾莉森：什么也没做，她只是无聊。
·约翰·休斯就读于北格伦布鲁克高中，影片也在这所高中里取景拍摄。
·影片中五个人一起吹口哨的那首曲子是《波基上校进行曲》，1957年大卫·里恩的《桂河大桥》中曾使用过这首曲子。
·后世各种作品当中对于《早餐俱乐部》的致敬数不胜数，甚至在2015年上映的《泰迪熊2》中，主角们也恶搞了一把影片中本德、安德鲁和布莱恩在桌子上跳的那支舞。
·布莱恩母亲的车牌号是“EMC 2”——爱因斯坦的公式。影片开始，送布莱恩来上学的就是他现实中的妈妈与妹妹，至于片尾接他回家的父亲则由导演约翰·休斯扮演。
6 ) 《早餐俱乐部（The Breakfast Club）》：青春与烦恼
http://blog.trivialfilm.com/2013/06/the-breakfast-club.html
早餐俱乐部 The Breakfast Club (1985)
最近艺术电影看多了，急需放松心情，就选择了这部口碑不错的青春电影来放松心情。
电影讲述五个高中生因为一些错事，被周六在学校留堂的故事。五个高中生，一个是经常闹事的混混，一个是遵从父亲想法欺负同学的运动员，一个是因为考试成绩不好想要自杀的书呆子，一个是上课逃学逛商场美女，以及一个无所事事没有被留堂却自己想要来的怪女孩。五个人在一天的时间内，从最初的陌生、对立，到一起对抗老师、吸毒、一起谈心，最后成为了朋友，而且两个女孩都找到了约会对象：怪女孩与运动员，美女与混混。
这部电影很好看，它纪录了年轻人们的生活与烦恼，看后很轻松。这就是一部电影有时该给人的感觉，不需太华丽，也不需太深奥，更不应太沉重，只需蕴含一点感情、一点感动足矣！毕竟每一个人都年轻过，青春是最美的时光！
电影没有太具体的情节，全片大部分都是对话，内容都是些父母、同学、朋友之类的话题，很琐碎。但就是这些内容，代表了十几年岁年轻人的生活，这就是他们的全部。本片好看也就在于这里，因为它细腻的勾画出年轻人们的生活细节，比如对性的观点、对学习的态度、对服装化妆品的喜爱，甚至包括午饭时的吃态。总之，年轻人的生活在片中都被扩大了，这正是本片优于其他电影之处。这也让我想到前段时间看得《壁花少年》，它可比本片差多了。
电影拍摄上中规中矩，典型的美国电影模式。不过片中的搞笑场景真是太精彩了！给我印象最深的就是吃午饭时怪女孩的吃态，笑得我差点没从床上掉下去！这些笑点，只有贴近生活且富有想象力的人才能创造出来，太出色了！此外，本片的音乐也很棒，每一首歌曲都有着浓重的八十年代气息，让人会回味无穷啊！我就想，为什么八十年代的电影与歌曲总是那么好看好听？九十年代开始后怎么就变了呢？
本片演员表现都很出色，只是他们之后都没有特别出名，至少在电影方面是。几个男演员不说了，他们现在基本都已经长得走了样，只说片中的两个女演员。她们在片中其实并不美，只是因为年轻而显得有活力，现在他们年龄大了也都成大妈了。Molly Ringwald现在最熟悉的角色应该是美剧《青春密语》中的母亲，Ally Sheedy则是看着面熟，但怎么样也不起她演过什么了，估计现在都是打酱油吧。
总结一下。这是一部很棒的青春电影，没有走固定的青春片套路，是一部“不走寻常路”的电影，而且它很注重细节，可以勾起每个人年轻时的回忆。
Molly Ringwald
Molly Ringwald
Molly Ringwald
Ally Sheedy
序列：1062
Breakfast.Club.1985.BluRay.720P.DTS.x264-CHD
2013-06-18
7 ) 大家都很怪
“everybody's bizarre” 这是孩子们最终得到的结论，虽然他们是完全不同的五个人，不同的性格，不同的父母，不同的人生理想，但因为这个是一样的，所以在影片的最后他们成了好朋友
在《stand by me》中孩子们得到的结论和这个一模一样，“everybody's freak”
这两部美国最好的青春片最后都找到了这点，很迷茫是因为发现自己和别人不一样，最后彼此敞开心扉发现大家都不一样，大家都是“怪人”，这个根本没什么可奇怪的“怪现象”
值班老师Vern对保洁工Carl抱怨：
“Each year, kids get more and more arrogant”
Carl对他说：
“Kids haven't changed, you have”
是的，这就是矛盾的根源，大人们总是想把孩子们向自己希望的方向去推，可是他们忘了，孩子们其实和他们想的不一样，因为本质上每个人都不一样，每个人都是怪人，所以找到自己，坚持下去，就像孩子们最后找到他们还是他们自己一样
在《stand by me》中孩子们得到的结论和这个一模一样，“everybody's freak”
这两部美国最好的青春片最后都找到了这点，很迷茫是因为发现自己和别人不一样，最后彼此敞开心扉发现大家都不一样，大家都是“怪人”，这个根本没什么可奇怪的“怪现象”
值班老师Vern对保洁工Carl抱怨：
“Each year, kids get more and more arrogant”
Carl对他说：
“Kids haven't changed, you have”
是的，这就是矛盾的根源，大人们总是想把孩子们向自己希望的方向去推，可是他们忘了，孩子们其实和他们想的不一样，因为本质上每个人都不一样，每个人都是怪人，所以找到自己，坚持下去，就像孩子们最后找到他们还是他们自己一样
新浪潮的Simple Minds，新浪潮的叙述。我们就是书呆子，暴徒，运动员，神经病和小公主！~奥斯卡上麦考利.金向已故的天才致敬，看的我热泪盈眶
有很多人相信，短暂地禁食有益于身体健康。因此，很多宗教以及地方习俗中都有“斋戒”的做法，即在某段时期减少或停止饮食。斋戒在英语中是 fast 。斋戒期结束后吃的第一餐就叫做 breakfast ，字面意思就是“终止斋戒”。由于这一餐通常是在早晨吃的，所以后来 breakfast 就变成了“早餐”的英语叫法。
everybody is weird系列，整个电影都在学校的图书馆拍完，几乎可以说是个话唠片，但在我看来处处击中要害啊！约翰休斯的电影都是这样，其实都谈不上有反派人物（这里孩子们口中的父母几乎都不算有出现），是纯粹的青春——只有青春时的我们，才会那么容易受伤，又那么容易从伤痛里恢复
话好多…然后非得凑两对cp我也是醉了
少年都怕变成自己的父母，成年人都觉得小孩子搞乱了世界。“当你长大，你的心就死了。”
细腻骚动，一天功夫，在图书馆内，书呆子，神经病，运动狂，公主病，罪犯，五个人叛逆的人，从互相看不起，到讲讲真心话，就成了朋友。结交朋友靠大麻，舒缓情绪靠摇滚，互相亲近靠性，美国小孩们，真幸福。
80年代真是又酷又直达人心！要思想有思想，要青春有青春，要偶像有偶像，要音乐有音乐。John Hughes真是太懂青春期，太宠爱Molly了。这就是一出清谈剧，那些扯开小伤口伤自尊的疼痛才是真正的青春期清谈。鬼气森森的freak女Alison太可爱了，无论扮相动作怪声音，最后还是逃不过为悦己者容的……农妇妆
真正的好戏在正片的一个小时后开启，在有限的空间和时间内营造妙语连珠对白的剧场式电影典范。【——我们以后会像自己的父母吗？——绝不会。——那是无法避免的，它就是会发生。】当你长大，你的心就死了。谁在乎？我在乎。大爱“早餐俱乐部”全体成员前后给老师送上的那封信，尽显青春的飞扬不羁。
影片最后他们五个人有了一次成长，内心得到了释怀，并结交成朋友，而戏外的我，看完影片也喜欢上了这五个人——书呆子、运动员、神经病、公主和罪犯。而在每个人青春成长的道路上，你总会不时遇到这些人，或许嗤之以鼻，避而远之，但其实跟他们接触了解后，你会发现他们其实比所谓的“正常人”更可爱。
青春期最大的问题永远是家庭
羞辱女性和刻板印象就这样堂而皇之成了拒绝规训的扮酷反叛青春模板，甚至还爱上了？？？不就是吊桥效应吗，sucks，从根里就烂掉了
When you grown up, your heart dies.美帝社会等级确实有点过于鲜明了，早餐俱乐部这种宅/怪/坏/体/美的混搭型友谊在咱读书时比比皆是啊。五人成两对，依然是书呆子泡不到妞，政治太不正确了！
You see us as you want to see us, in the simplest terms, in the most convenient definitions. But what we found out is that EACH one of us is a brain, an athlete, a basket case, a princess, and a criminal. Does that answer your question? Sincerely yours, The Breakfast Club.
校园的阶级真可怕，真实残酷无法动摇，这么多年了，却一直没有消失。
想看了多年的电影。五个互不认识的叛逆高中生周六被罚在图书馆禁闭，他们在不断的冲突和交流中发现原来大家都在成长中迷失了自己。每个角色都在最后变得立体真实个性鲜明。只是结局欠妥，Allison的爱情显得刻意，之前老师和清洁工的谈话也略显突兀。总的来说是喜欢。
那音乐~!!!!简直了！！！
最有趣的彩蛋大概是，十多年前校园年度人物照片上的脸，正是现在的学校清洁工。我们曾想成为很酷的大人，又或是说不想成为那样的大人，回头才发现自己娃已经摇摇头说“你逊爆了”。一代一代轮回，苍天不曾饶过谁。
85年！1985！开始我觉得相当的无聊，当他们在一起开聊的时候，当他们慢慢的透露他们的内心的时候，我开始明白这部电影为什么会影响美国80年代人！这也可以更好的理解为什么豆瓣小组“父母皆祸害”或者《麦田里的守望者》这样的叛逆和迷茫。因为对他们来讲，成长更多是残酷的。8.3
他们义愤填膺地抱怨父母忽视自己、扭曲自己的三观、没有好好教养自己 并且信誓旦旦地保证自己长大后绝不会成为父母这样的人。然而在讨论下周一重遇大家该不该成为朋友时 又开始心口不一闪烁其词——这样说一套做一套的无耻行为不就是前一分钟自己所不齿的家长所为吗？他们开始更深一步理解“When you grown up your heart dies”的无奈 是啊 他们讨厌这样的自己 但又无可奈何无能为力去改变 多年后 公主病依旧娇纵跋扈 运动员只能靠蛮力博取前途 书呆子跳不出书本 怪胎依旧找不到朋友 而混混依旧是在学校可有可无的垃圾败类。在这种迷惘的境况中能否探索取得自己所渴望的青春岁月？噢！——成功了便是自由 否则 则是现实。
Alison变装后好像挤牛奶的农妇